Egmont National Park in New Zealand with Mt. Taranaki at its center is seen in a Landsat 8 satellite image taken July 3, 2014 and released by NASA November 14, 2014. The image is from the book “Sanctuary: Exploring the World's Protected Areas from Space”, published by the Institute for Global Environmental Strategies with support from NASA, which was released this week. (Photo by Reuters/NASA/USGS)

David Goffin of Belgium meets a koala during a promotional event for the Australian Open tennis tournament at Melbourne Park on January 17, 2018. (Photo by Fiona Hamilton/Reuters/Tennis Australia)

In this photo taken on Monday, August 5, 2019, a family watches explosions at a military ammunition depot near the city of Achinsk in eastern Siberia's Krasnoyarsk region, in Achinsk, Russia. Russian officials say powerful explosions at a military depot in Siberia left 12 people injured and one missing and forced over 16,500 people to leave their homes. (Photo by Dmitry Dub/AP Photo)

A Ballet Paraisópolis student wearing a face mask rehearses amidst the coronavirus (COVID-19) pandemic on August 13, 2020 in Sao Paulo, Brazil. The Ballet Paraisópolis is a project that teaches dance to children and young people in the Paraisópolis community in order to encourage them to seek better life opportunities. Founded in 2012 by ballerina, teacher and choreographer, Monica Tarragó, Ballet Paraisópolis has a total of 200 students and another 2,000 on the waiting list. (Photo by Alexandre Schneider/Getty Images)

American television personality Paige Desorbo on June 26, 2025 channels her inner disco ball in a glittery snap. (Photo by paigedesorbo/Instagram)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.