The Belgian photographer Anton Kusters spent two years photographing the Yakuza, Japan’s most notorious gang. He returned with some amazing images that he made into a book called “Odo Yakuza Tokyo”. (Odo means “the way of the cherry blossom” and is the credo of the Yakuza family he followed. Photo: An erotic danser picks up fake 2-dollar bills during a private dance with a Yakuza customer in a strip tease bar in Kabukicho, a bar which is controlled by the ODO family – 2010. (Photo and caption by Anton Kusters)

Villagers look on as Mount Sinabung volcano spews thick volcanic ash, as seen from Beganding village in Karo, North Sumatra province, on May 19, 2017. Sinabung roared back to life in 2010 for the first time in 400 years. After another period of inactivity, it erupted once more in 2013 and has remained highly active since. (Photo by Ivan Damanik/AFP Photo)

A robot named “Robovie-II”, developed by Japanese robotics research institution ATR, moves around at a grocery store during a shopping assisting experiment by utilizing the robot in an ubiquitous network technology platform in Kyoto, western Japan January 6, 2010. (Photo by Yuriko Nakao/Reuters)

People throw turnips at the Jarramplas as he makes his way through the streets beating his drum during the Jarramplas Festival in Piornal, Spain, Tuesday, January 20, 2015. Jarramplas is a character that wears a costume made from colorful strips of fabric, and a devil-like mask and beats a drum through the streets of Piornal while residents throw turnips as a punishment for stealing cattle. The exact origin of the festival are not known, various theories exist from the mythological punishment of Caco by Hercules, to a cattle thief ridiculed and expelled by his neighbors. The Jarramplas Festival takes place every year from the 19th till the 20th of January on Saint Sebastian Day. (Photo by Daniel Ochoa de Olza/AP Photo)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.