The Slauerhoffbrug (English: Slauerhoff Bridge) is a fully automatic bascule bridge (aka tail bridge) in the city of Leeuwarden in the Netherlands. It uses two arms to swing a section of road in and out of place within the road itself. It is also known as the “Slauerhoffbrug ‘Flying’ Drawbridge”. A tail bridge can quickly and efficiently be raised and lowered from one pylon (instead of hinges). This quickly allows water traffic to pass while only briefly stalling road traffic. The deck is 15 m by 15 m. It is painted in yellow and blue, representative of Leeuwarden's flag and seal.

South Korean girl group KARA arrive during the 21st High1 Seoul Music Awards at Olympic gymnasium on January 19, 2012 in Seoul, South Korea. (Photo by Chung Sung-Jun/Getty Images)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

India’s classic Ambassador taxis and juddery auto rickshaws are iconic sights in the cities of the subcontinent. In Mumbai, one project has been using them as canvases for Indian graphic designers, giving them the opportunity to design new interiors for the vehicles. (Photo by Taxi Fabric/The Guardian)

Albert is not the happiest looking kitty in the world. Even Tard the Grumpy Cat looks more cheerful. Well… maybe not cheerful. But at least Tard doesn’t have a look of menace and a desire to kill in his eyes. What could have caused a kitty to wear such a stern look all the time? It might be the fact that he’s all curly. Almost no one likes to stand out too much, and maybe Albert is no exception. Despite his menacing appearance, Albert’s owner claims that he’s a very polite cat and plays nicely with children. Though it is hard to believe at first glance, we shouldn’t judge a book by its cover, even when we’re looking at a cat.

There's something inherently Ghibli-esque about Chong FeiGiap's beautiful paintings, capturing that sense of wonder typically present in the best animes the studio had to offer, as well as a dash of Tekkon Kinkreet's amazingly colorful, complex cities.