“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)

Members of the Communist New Fourth Army on parade. Note how the modern equipment contrasts with the shoeless soldiers in the foreground. (Photo by Hulton Archive/Getty Images). 6th July 1946

Syrian Internal Security Forces dance in celebration during their graduation ceremony, at Ain Issa desert base, in Raqqa province, northeast Syria, Thursday, July 20, 2017. Some 250 residents of Syria's Raqqa province are the latest batch to graduate from a brief U.S-training course that is preparing an internal security force to hold and secure areas as they are captured from Islamic State militants. (Photo by Hussein Malla/AP Photo)

A model presents creations by Japanese designer Ayano Ichige from the Autumn/Winter 2022 collection for the label “NON TOKYO” during the Tokyo Fashion Week in Tokyo, Japan, 14 March 2022. The presentation of the Autumn/Winter 2022 collections runs from 14 to 19 March. (Photo by Franck Robichon/EPA/EFE)

British actress and humanitarian Audrey Hepburn, 1955. Jumpology. (Photo by Philippe Halsman)

Bollywood actress Chitrashi Rawat lies in a plastic drum as she is briefed by a crew member during the shoot for the film “Black Home” at a beach on the outskirts of Mumbai April 26, 2013. (Photo by Danish Siddiqui/Reuters)

Jan Agha, 49, an Afghan hunter, tries to catch his crane at a field in Bagram, Parwan province, Afghanistan on April 10, 2019. As the early morning light breaks over the plain north of Kabul, bird hunter Jan Agha checks his snares as he has done for the past 30 years, hoping to catch a crane, using a tethered bird to lure others down to the nets. (Photo by Mohammad Ismail/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)