“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

“I bought my first dlsr camera in 2009 may. The first part of my life is gone but the other i dedicate to photography. If i try to imagine myself, i saw someone on the road, who walking straight to the light. This kind of light is the photography and the post-processing in my life. My pictures express the feelings, moods what i felt under my trip in the last few years”. – Ildiko Neer

Photo: “Path to the shine”, 2011. (Photo by Ildiko Neer)

Ronda is a small Spanish town that it well known by many people around the world. It became a popular tourist destination due to its peculiar location. Some of its buildings are standing right next to the large cliff drop, making for a very scary sight, especially if you were to look down through one of their windows unaware of what kind of sight awaits you. If you ever find yourself looking for this ancient town, you can travel to it from Costa del Sol or Malaga. In the past, this town played a major strategic role due to its high elevation, which made defending it from invaders a lot easier.

“David Stoker creates images that tell a story. Rich and atmospheric, his images stop a moment in time letting the viewer decide, or wonder, just what each character is doing. David's work has been recognized in the 2011 Communication Arts Photo Annual, Communication Arts Fresh online, Graphis 100 Best in Photography 2012, PDN’s Photo Annual (2009, 2011), Luezer's Archive, and the International Photography Awards (IPA's – 2009, 2010)”.

The photograph you see above isn’t the result of Photoshop or infrared photography. Captured by Spanish photographer Palíndromo Mészáros, it shows what the landscape of Ajka, Hungary looked like half a year after the Ajka alumina plant accident — an industrial disaster in which 35 million cubic feet of toxic waste flooded the land to a height of around 6.5 feet. Mészáros lined up the thick red line caused by the sludge with the horizon line to obtain this surreal image.