Some of the worlds most iconic cities have been photographed as youve never seen them before in the shape of tiny round planets. By using a pioneering method of aerial photography, each location can be now seen at a full 360 degree angle. After some skilful manipulation on Photoshop known technically as stereographic projection, each sweeping panorama is then turned into a small circular shaped image. Whether its the Eiffel Tower, The Empire State Building or the Shanghai Skyline, each image manages to show hundreds of miles of city landscape. Here: the French Riveria of Cannes, France. (Photo by Airpano/Caters News)

Yussef Saluta (R), 20, an Israeli Arab soldier from the Desert Reconnaissance battalion takes part in a drill near Kissufim in southern Israel November 29, 2016. A battalion of soldiers crawls across the desert sand with assault rifles cocked. It's a routine exercise, but these are no ordinary troops – they are Arabs who have chosen to fight for the Jewish state. (Photo by Amir Cohen/Reuters) (Photo by Amir Cohen/Reuters)

The official name for this tiny speck of land – the size of 12 football pitches – is Hashima, but few call it that. In English, its most commonly used name means “Battleship Island” and, viewed from a certain angle offshore, its silhouette is uncannily dreadnought in nature. It was a mining facility until 1974, when it was abandoned to the elements, before partially reopening as a tourist attraction in 2009. Photo: A decades-old television. (Photo by Mark C. O'Flaherty)

A fisherman is seen standing on a cliff edge at Cape Bank in La Perouse on February 20, 2011 in Sydney, Australia. The practice of fishing from rock platforms, cliffs and rocky outcrops is notoriously dangerous with many anglers per year being washed into the ocean by dangerous surf or unexpected large waves. Angling is often reported as the sport having the highest mortality rate on average due to fishermen drowning with rocking fishing contributing to a high number of these deaths. (Photo by Mark Kolbe/Getty Images)

Amateur Iranian photographer Mohammad Reza Domiri Ganji, 23 likes to learn as much as he can about a site before he photographs it. Then he utilizes a variety of wide-angle and fisheye lenses, as well as occasional panoramic techniques to create beautiful new, often mind-bending images. He usually shoots the architectural wonders of Iran, and hopes that the Iranian government will allow him to travel further from home in pursuit of other iconic architectural treasures. Photo: The Nasir al-mulk or “Pink” mosque in Shiraz, Iran. (Photo by Mohammad Reza Domiri Ganj)

In 1994, after the fall of the Soviet Union, all Ukrainians had to get a new passport – and photographer Alexander Chekmenev was on hand to take their photos. The snatched extra shots he took are remarkable in their honesty and tenderness. (Photo by Alexander Chekmenev/The Guardian)

These kaleidoscopic images are the work of one persistent photographer’s efforts to capture vibrant hues at the exact moment a wave breaks. Ryan Pernofski‘s stunning shots feature brilliant yellows, reds, blues and purples as an array of sunlight hits the water at the perfect time. What’s even more impressive: Ryan, a 27-year-old Australian, began shooting his popular masterpieces without using a professional camera, taking his iPhone out into the water instead. Ryan began experimenting with this method in 2012, using an underwater housing to protect his phone, as he could not afford a professional camera. (Photo by Ryan Pernoski/Caters News Agency)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)