Festival goers participate in a dance class on embracing kinetic intimacy in the dance shala a the Oregon Eclipse Festival, August 20, 2017, at Big Summit Prairie ranch in Oregon' s Ochoco National Forest near the city of Mitchell ahead of the total solar eclipse on August 21, 2017. (Photo by Robyn Beck/AFP Photo)

Members of the Loktev Ensemble perform during the opening of the 18th Moscow Meets Friends International Festival at the Moscow International House of Music in Moscow, Russia on May 18, 2021. (Photo by Artyom Geodakyan/TASS)

Members of the Kaisokah Moko Jumbies perform with fire on the waterfront near their San Fernando, Trinidad base February 10, 2015. (Photo by Andrea De Silva/Reuters)

A poster for the IMAX presentation of “The Hunger Games: Catching Fire” (left), and a teaser poster for “The Hunger Games: Mockingjay, Part I”, both created by the Los Angeles-based design firm IGNITION. Both are nominated for the 2014 Key Art Awards in the category of Theatrical Domestic One-Sheet. The Hollywood Reporter's annual competition for the best in film and TV advertising honors some of the most creative imagery used in movie posters. Here is a selection of some of this year's nominees. (Photo by Key Art Awards 2014)

Rachel Miner, 15, left, of Emmetsburg, Iowa, sits with Carlotta Haas, 15, a foreign exchange student from Duesseldorf, Germany, who had been living with Miner and her family but was called home, as they waited for her flight Wednesday, March 25, 2020, in at Minneapolis-St. Paul International Airport in Minneapolis. (Photo by Anthony Souffle/Star Tribune via AP Photo)

The BADGER shot was a 23 kiloton nuclear bomb. Over 2,000 US soldiers were within 3.7 kilometers of the explosion. (Photo by Alamy Stock Photo)

Bison along the Bitterroot Valley's Eastside Highway north of Stevensville, Montana, are covered in snow following a blizzard on November 23, 2010. (Photo by Perry Backus/The Missoulian)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)