U.S. Corporal Stanley Suski, left, and Miss Tamako, a Geisha girl, whirl a bit of Jitterbug, in a bar, in Tokyo, Japan, on October 1, 1945. (Photo by AP Photo)
Recruits who earned a place in the Motivation Platoon struggle through water and muck on their way to becoming a Marine or going into some other line of work, October 7, 1971. (Photo by Eddie Adams/AP Photo)
A U.S. Army B-24 Liberator Bomber is hailed by a ground crewman as it takes off over a line of shark- nosed fighter planes at an advanced base in China on a mission on October 10, 1943, to bomb Japanese installations. (Photo by AP Photo)
A fireball erupts from a 16-inch gun on the battleship USS Wisconsin during a live fire exercise in the Persian Gulf, October 13, 1990. The ship is in the Gulf as part of Operation Desert Shield. (Photo by John Gaps III/AP Photo)
Following a large air raid by German bombers, local people, coming out of their air raid shelters found a bus standing on end in a large crater, in Balham, London, October 15, 1940. (Photo by AP Photo)
Shell, which is the replica of the biggest detonated Soviet nuclear bomb AN-602 (Tsar-Bomb), is on display in Moscow, Russia, August 31, 2015. The shell is part of an exhibition organized by the state nuclear corporation Rosatom. (Photo by Maxim Zmeyev/Reuters)
A little boy shouts “Earthquake!” during a shouting contest, part of the annual evacuation drill on the National Disaster Prevention Day on September 1, 1986. The contest was aimed at teaching youngsters the importance of telling neighbors quickly and loudly of a disaster when it hits. The drill is annually conducted through out the country on the day marking the anniversary of the Great Kanto Earthquake that hit the Japanese capital and its vicinity on September 1, 1923, killing more than 104,000 people. (Photo by Sadayuki Mikami/AP Photo)
Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.