Giant panda Xiao Qi Ji plays at his enclosure at the Smithsonian National Zoo in Washington, Thursday, September 28, 2023. (Photo by Jose Luis Magana/AP Photo)

Itzae, a three-and-a-half-month-old albino puma cub, walks in its enclosure as it is being presented to the public for the first time, at the Thomas Belt Zoo, in Juigalpa, Nicaragua on November 10, 2023. (Photo by Maynor Valenzuela/Reuters)

Luca Meneghel is an italian photographer specialized in fashion and food photography with a background in design. He was born in Belluno the 19th. february 1989 and now he’s based in Bolzano. “Into the Mirror is a series of images that intersect reality and artistry through the fusion of lens captures and hand drawing”.

Arctic wolves in their new enclosure in the wildlife park in Hanau, Germany, 10 February 2015. The pack is one of the park's main attractions, which specializes in local and European breeds. (Photo by Boris Roessler/EPA)

A giant river otter, the world's largest otter species, looks out of its enclosure at the newly completed River Safari in Singapore, on March 25, 2013. (Photo by Wong Maye-E/Associated Press)

A newly born Indian white tiger cub yawns in its enclosure at Liberec Zoo, Czech Republic, April 25, 2016. (Photo by David W. Cerny/Reuters)

A macro view of an ant taking a sip from a water droplet on the edge of a flower in Obihiro, Japan. Animal-Lover Miki Asai has gone a step beyond feeding bread to the ducks – by syringe-feeding water to tiny ants. The office worker from Obihiro City, Japan, squirts droplets near the tiny insects and then uses a macro lens to capture quenching their thirst. The amateur photographer started capturing these images near her house in July 2013 after spotting an ant struggling in the rain. (Photo by Miki Asai/Barcroft Media)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)