A two-horse team street cleaner, with sprayer, squeegee, and roller at rear. New York, between ca. 1910 and ca. 1915. (Photo by NYC Municipal Archives)
Belarusian soldiers found a little squirrel two years ago. The little baby squirrel was just about to die but the officer of the team Peter Pankraty start feeding and taking care of it. The squirrel survived and two years later it just refuses to be separated by its saviour. Now Peter is taxi driver and squirrel Minsk makes him a good company through the entire shift. He uses the squirrel as an attraction and even promotes the tax at his taxi as “Just 45 cents and a few nuts per km”.
Shuichi Mizoguchi is the forerunner of Japanese digital graphic art. He is known for his fantastic Japanese feminine beauty imagery. SHU can get the best of his talent to use various colors freely and uniquely to create fantastic imagery of ancient scenery, robots on top of the Japanese feminine beauty. His imagery has been captivated by Japanese young and middle class generations.
LITTLE BIG – EVERYBODY (Little Big Are Back) Official Music Video. Little Big is a Russian rave band founded in 2013 in Saint Petersburg. The team calls itself a satirical art collaboration, which relies on the music, visuals, and the show. The band was influenced by a variety of musicians from Cannibal Corpse, NOFX, Red Hot Chili Peppers, Rammstein, and The Prodigy to Mozart and Vivaldi.
This photo taken on March 29, 2017 shows a young woman offering shots of liquer at a dance bar in Walking Street in Pattaya. Two hours east of Bangkok, Pattaya's bawdy reputation hails from the Vietnam War era when US GIs partied in their downtime. (Photo by Roberto Schmidt/AFP Photo)
The classical ballet company “Ardentia” performs in the street of Mexico City on traffic lights, in an effort to highlight the city's fine arts in public spaces in Mexico, September 8, 2018. (Photo by Carlos Jasso/Reuters)
Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)