French photographer Laurent Chehere's “Flying Houses” exhibit takes workaday houses and lets them lift the imagination. The exhibit is showing at the Muriel Guépin Gallery in New York. Photo: Laurent Chehere's “Flying Houses”: “The Great Illusion”. (Photo by Laurent Chehere)

Gohei Hayashi of Kyoto University is seen in side his movable eco and healing house, “Kujira (Whale) House” July 21, 2007 in Tokyo, Japan. The house is made from Japanese paper, bamboo and tatami mat. Hayashi has travelled 500 km from Japan's ancient city, Kyoto to Tokyo with his eco house to promote his house which can be placed both out inside and outside to provide a private space. The Kujira house is available at the price of 800,000 yen (roughly US$6600). (Photo by Koichi Kamoshida/Getty Images)

A woman visits a room in a house built upside-down in Russia's Siberian city of Krasnoyarsk, December 14, 2014. The house was constructed as an attraction for local residents and tourists. (Photo by Ilya Naymushin/Reuters)

Colorado Gov. John Hickenlooper shows off his socks--one with Democratic presidential candidate Bernie Sanders and the other with Republican candidate Donald Trump – before entering his former brewpub for a book signing event to mark the release of his autobiography Thursday, May 26, 2016, in Denver. Hickenlooper, who is term-limited, is doing book talk rounds this week, reviving speculation that he is positioning himself to join Hillary Clinton's presidential campaign ticket. (Photo by David Zalubowski/AP Photo)

Created by artist and unassuming local celebrity, Keith Jennings, the first tree spirit arrived on St. Simons Island in 1982. The old story goes that Keith negotiated his way out of a bar tab, hence, a tree priestess was born behind Murphy’s Tavern, on a blurry Saturday morning. In his own words, however, Keith states that his first tree spirit was created in the back yard of a place called, “The Animal Farm”. Either way, Keith Jennings has been known to cut the rug around here, no matter how you slice it.

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.