If you love someone very much, you care very little about their looks. The beauty of their soul is the thing that matters the most, changing your perception of them for the better. Monty the Cat is a vivid example of this fact. He was taken by his new owners from an animal shelter at the age of three, and became a proud member of their family. Due to a genetic anomaly Monty doesn’t have a nasal bridge, making his appearance rather unique. However, this peculiarity is what makes Monty special, and his new owners love him for it. Though he doesn’t realize that he’s any different from other cats, Monty knows that his owners love him very much.

Polar bears prepare to feast on the remains of a bowhead whale, harvested legally by whalers during their annual subsistence hunt, just outside the Inupiat village of Kaktovik, Alaska, USA, 10 September 2017. As climate change shrinks their natural habitat, polar bears are turning Kaktovik into their very own sanctuary city. (Photo by Jim Lo Scalzo/EPA/EFE)

Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)

Los Angeles native Mike Stilkey has always been attracted to painting and drawing not only on vintage paper, record covers and book pages, but on the books themselves. Using a mix of ink, colored pencil, paint and lacquer, Stilkey depicts a melancholic and at times a whimsical cast of characters inhabiting ambiguous spaces and narratives of fantasy and fairy tales. A lingering sense of loss and longing hints at emotional depth and draws the viewer into their introspective thrall with a mixture of capricious poetry, wit, and mystery. (Photo by Mike Stilkey)

Indian bride takes part in a mass marriage ceremony under chief minister's welfare scheme (Mukhyamantri Kanyadan Yojna) on the occasion of the Basant Panchami festival, in Bhopal, India, 30 January 2020. (Photo by Sanjeev Gupta/EPA/EFE/Rex Features/Shutterstock)

In this February 22, 2021, file photo, climate activist Disha Ravi, 22, travels in a car as she is taken to a court in New Delhi, India. To her friends, Ravi, was most concerned about her future in a world where temperatures are rising. But her life changed last month as she became a household name in the country, dominating news coverage after police charged her with sedition, a colonial-era law which carries a sentence up to life. Her alleged crime: sharing an online document to help amplify months-long farmer protests in India on Twitter. She was released after 10 days in custody. (Photo by Dinesh Joshi/AP Photo/File)

Aurorae category runner-up: Lone Tree under a Scandinavian Aurora by Tom Archer (UK). The photographer decided to explore the area around the hotel on a very crisp -35C evening in Finnish Lapland. When he found this tree, he decided to wait for the misty conditions to change and could not believe his luck when the sky cleared and the aurora came out in the perfect spot. Archer spent about an hour photographing it before his camera started to lock up because of the harsh conditions, but by then he was happy to call it a night. (Photo by Tom Archer/2020 Astronomy Photographer of the Year)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)