Someone struggles with an umbrella on Mudeford Quay seafront in Dorset, UK during storm Nelson on March 28, 2024. (Photo by Steve Hogan/Picture Exclusive)

Charlotte Louise, Travis Wood and Dylan Collymore in Pinocchio at Theatre Royal Stratford East, London in 2024. (Photo by Tristram Kenton/The Guardian)

Norway's Karsten Warholm celebrates winning the men's 400m hurdles at the Diamond League in London, July 21, 2018. (Photo by Andrew Boyers/Action Images via Reuters)

Elizabeth Nicolaou, a final year student with the Royal Academy of Dance, strikes a pose on April 28, 2022 near the Cutty Sark ship in Greenwich, London ahead of International Dance Day. First celebrated in 1982, International Dance Day has taken place every year since in anniversary celebration of the birth of Jean-Georges Noverre (1727-1810), considered the creator of modern ballet. (Photo by Guy Corbishley/Alamy Live News)

The Air2 (Air Squared) floating Bluetooth speaker from Axxess CE is displayed at CES Unveiled, the opening event for the media preview days at the 2015 Consumer Electronics Show, January 4, 2015 in Las Vegas, Nevada. The speaker which levitates over its own base is one of the winners for the CES Innovation Awards and is patent pending. (Photo by Robyn Beck/AFP Photo)

Staff prepare for Halloween at the Forbidden Corner tourist attraction, a labyrinth in the heart of Tupgill Park, in the Yorkshire Dales on October 19, 2022. (Photo by James Glossop/The Times)

A sign that reads “No more massacres LGBT” is seen to remember the victims of the Pulse nightclub mass shooting in Orlando, near the U.S. Embassy in Mexico City, Mexico, June 14, 2016. (Photo by Edgard Garrido/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)