Wedges of an orange generate enough current and electrical juice – 3.5 volts – to power an LED. The fruit’s citric acid helps electrons flow from galvanized nails to copper wire in this 14-hour exposure. This image was published in September’s Visions of Earth, a trio of photos that appear in each issue of National Geographic. (Photo by Caleb Charland/National Geographic)

“John Constables's «The Hay Wein» meets «Bender» from «Futurama»”. (Photo and caption by Dave Pollot/Caters News)

“Weapons Instructor”, 2012. It’s a well known fact that the IDF trains some of the best soldiers in the world, but at the source of every good soldier lies an exceptional instructor – and that’s where Cpl. Daniella Stepanoe steps in. She travels from base to base training everyone from paratroopers to elite special forces units in the use of their weapons. (Photo by Israel Defense Forces)

In this February 19, 2017 photo, a statue of the Death Saint stands inside Mercy Church as Juan Carlos Avila Mercado gives a service, on the edge of Mexico City's Tepito neighborhood. “She chooses them and has always been with us”, said Avila, who says he is a Catholic priest, but who is not listed among the archdiocese's priests. “We are born and we die with death”. (Photo by Marco Ugarte/AP Photo)

A Hindu devotee lies on a road as she worships the Sun god during the religious festival of Chhath Puja in Kolkata, India October 26, 2017. (Photo by Rupak De Chowdhuri/Reuters)

A zoo performer smiles as he puts his head between the jaws of a crocodile during a performance for tourists at the Sriracha Tiger Zoo, in Chonburi province, east of Bangkok,Thailand, June 7, 2016. (Photo by Chaiwat Subprasom/Reuters)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)