People attend the 49th annual New York City Gay Pride Parade in New York, New York, USA on 24 June 2018. (Photo by Erik Pendzich/Rex Features/Shutterstock)
Chase Outlaw dodges Cochise after being bucked off in the final round of the PBR Unleash the Beast bull riding event at Madison Square Garden on January 06, 2019 in New York City. (Photo by Sarah Stier/Getty Images)
Competitors bear more than their bikinis during a spring break bikini contest at Summers' in Fort Lauderdale, Florida, USA circa 1985. (Photo by Nik Wheeler/Corbis via Getty Images)
Tomomi Ota pushes a trolley loaded with her humanoid robot Pepper as she crosses a street in Omotesando shopping district in Tokyo, Japan, 24 March 2016. Telecommunications and mobile phone carrier SoftBank Corp. opened a robot-staffed store where 10 Pepper humanoid robots welcome customers looking to buy a mobile phone. The store will be opened until 30 March 2016. (Photo by Franck Robichon/EPA)
So “Anonymous Russian homeless vs PSY – GANGNAM STYLE”... In my opinion this is quite sad video (though participants obviously have contrary opinion). However it's you to judge. Video was shot somewhere on open spaces of Russia in September 2012. Enjoy if you can.
We already wrote about the Russian “Serebro” trio. Good trio, passionate. We recommend you their last music video. Very fierily (but don't show to children). Have a nice weekend! And... God bless Russia! %)
The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.
Erzhena Zhamyanova (“Amar Sain” theater) and Buryat folk instruments orchestra – Dance Monkey. “Dance Monkey” is a song by Australian singer Tones and I, released on May 10, 2019 as the second single (first in the US) from Tones and I's debut EP The Kids Are Coming.