These kaleidoscopic images showcase the sheer beauty of the mammoth firework displays held across Japan every summer. The Japanese word for fireworks, hanabi, means fire flower, and each year, local governments in Japan throw around 7,000 festivals, or hanabi taikai. Here: Tsuchiura National Fireworks Competition, Tsuchiura City, Ibaraki Prefecture. (Photo by Makoto Igari/Caters News Agency)

The Sculpture Bank (2017) by Chinese artist Mu Boyan is exhibited along the Bondi to Tamarama Coastal walk as part of the Sculpture by the Sea exhibition in Sydney, Australia, October 18, 2018. (Photo by Charlotte Curd/The Guardian)

Mamoni Mandal, member of the Rapid Action Force (RAF), attends a training session at a police training school in Kolkata April 15, 2007. (Photo by Parth Sanyal/Reuters)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

Afghan men work in a small sweets factory in Kabul, Afghanistan January 5, 2017. (Photo by Mohammad Ismail/Reuters)

A group of women dance in a pool in Callao, Peru, Sunday, February 22, 2015. One of centers for the front-doorstep, pool-party phenomenon is Lima's port city of Callao. People hold parties in them and sometimes entire blocks chip in to buy a pool, which can be had in local department stores for a bit over $100. (Photo by Martin Mejia/AP Photo)

An innovative artist has camouflaged nude bodies by painting them into the worlds most expensive artworks. New York body artist, Trina Merry picked the 20 top dearest paintings, then photographed naked models disguised as part of the piece. Here: Titled 8,100,000 after the price paid for Bal du moulin de la Galette. (Photo by Trina Merry/Caters News)

Winner. “I took this vertical image in the Quarry Bay district of Hong Kong during the dusk ‘blue hour’, when there was a perfect balance between the ambient light in the sky and the artificial lights of the high-rise residential buildings”. (Photo by Jatinder Heer/The Guardian)