A Nepalese mother applies make up to her daughter dressed as the living goddess Kumari as they wait for Kumari puja to start at Hanuman Dhoka temple, in Kathmandu, Nepal, Wednesday, September 14, 2016. Girls under the age of nine gathered for the Kumari puja, a tradition of worshiping young prepubescent girls as manifestations of the divine female energy. The ritual holds a strong religious significance in the Newar community that seeks divine blessings to save small girls from diseases and bad luck in the years to come. (Photo by Niranjan Shrestha/AP Photo)

A sadhu (Hindu holy man) smokes marijuana using a “chillum”, a traditional clay pipe, as a holy offering during the Hindu festival “Maha Shivaratri” in Kathmandu on February 21, 2020. (Photo by Prakash Mathema/AFP Photo)

A girl receives Covid-19 vaccine as Nepal Government begins vaccinating children aged 5-12 at a school in Kathmandu on June 23, 2022. (Photo by Aryan Dhimal/ZUMA Press Wire/Rex Features/Shutterstock)

A girl watches the members of Nepali ethnic Newar community participating in “Jyapu Day” celebrations that marks the end of the harvest season, in Kathmandu on December 26, 2023. (Photo by Prakash Mathema/AFP Photo)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.