A Mongolian wrestler adjusts her hair before a match during the 2016 World Sumo Championship on July 30, 2016 in Ulaanbaatar, Mongolia. (Photo by Taylor Weidman/Getty Images)

Sara Takanashi of Japan, Maja Vtic from Slovenia and Germany's Carina Vogt (R-L) prepare for a training session of the women's Individual normal hill HS100 ski jumping at the Nordic World Ski Championships in Falun February 18, 2015. (Photo by Kai Pfaffenbach/Reuters)

People cheer as the ball drops at midnight in Times Square on January 1, 2015 in New York City. An estimated one million people from around the world are expected to pack Times Square to ring in 2015. (Photo by Andrew Theodorakis/Getty Images)

Vehicles are burning as thousands of people take to the streets during the May Day demonstrations on May 1, 2018 in Paris, France. This month celebrates the 50th anniversary of May 68 when France seen millions of students and striking workers, come onto the streets in demonstrations that changed the country. (Photo by Jeff J. Mitchell/Getty Images)

Shortlist, open competition, lifestyle. Healing Vibes – the hot springs of Bagno Vignoni in Italy flow out at a temperature of about 49°C. They were appreciated by the Romans for their healing powers, and have been used as therapeutic treatments since the 12th century, under Emperor Federico II. (Photo by Stefano Butturini/Sony World Photography Awards)

Determination: silver. Adam Pelech (No 3) of the New York Islanders and Brian Boyle of the Florida Panthers crash the boards during their game at Barclays Center in New York. (Photo by Al Bello/Getty Images)

Fireworks explode over Elizabeth Tower housing the Big Ben clock in London. (Photo by Kirsty Wigglesworth/Associated Press)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)