A chicken seller carries his chickens on his head in the market in Peshawar, Pakistan, August 20, 2015. (Photo by Khuram Parvez/Reuters)

People sit on a cart with a camel tied to it during “Temeenii bayar”, the Camel Festival, in Dalanzadgad, Umnugobi aimag, Mongolia, March 6, 2016. On the steppes of the Gobi Desert, the crowd urges on Bactrian camels laden down with all that's needed to build and live in a traditional Mongolian tent. Guinness World Records classes the 15 km race thatÕs part of the two-day festival as the largest camel race in the world, drawing 1,108 participants. The winning camel romped home in 35 minutes and 12 seconds, according to the records website. (Photo by B. Rentsendorj/Reuters)

Mercedes' British driver Lewis Hamilton celebrates with the trophy on the podium of the Formula One Hungarian Grand Prix race at the Hungaroring circuit in Mogyorod near Budapest, Hungary, on July 19, 2020. (Photo by Mark Thompson/Reuters)

In this photo taken on Thursday, March 7, 2019, the sun rises over the star on the spire on top of a Stalin-era skyscraper, now the Radisson Royal Hotel on the banks of the Moskva River in Moscow, Russia. (Photo by Dmitry Serebryakov/AP Photo)

The sun rises over the Baltic Sea and a pier with a tea house in Timmendorfer Strand, Germany, Sunday, August 7, 2022. (Photo by Michael Probst/AP Photo)

An Olive Ridley sea turtle hatchling releases into the sea at Lhoknga beach, Indonesia's Aceh province on January 16, 2024. (Photo by Chaideer Mahyuddin/AFP Photo)

Stunning Northern Lights/aurora borealis display in Minster on Sea in Kent, UK on May 10, 2024. (Photo by James Bell/Alamy Live News)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)