A man takes a picture of part of what is set to be the UK's largest street art project on August 19, 2011 in Bristol, England. The See No Evil art project on Nelson Street in Bristol will see several multi story buildings in the street covered with art over the coming days. Organisers hope that the project, which has involved top graffiti artists from all over the world, will become a major tourist attraction for the west country city, often said to the spiritual home of Banksy. (Photo by Matt Cardy/Getty Images)

A man suffering from mental illness sits chained on a bed in his room inside his family home in Curug Sulanjana village in Serang, Banten province, Indonesia March 23, 2016. In a programme launched this year, Indonesia sends teams of workers into often-remote hamlets to help free patients kept in chains and ensure they get the medical treatment they need. (Photo by Reuters/Beawiharta)

To an outsider, their passion is at times illegal and often on the verge of life and death. But climbing rooftops of high-rise buildings and exploring abandoned facilities is in the blood of these young Muscovites. The small group calls itself “Rudex”, which stands for “roof and decay exploration”, and is akin a Western youth craze known as urbex or “urban exploration” of man-made structures. Here: Urban explorer Vad Him of Rudex team jumps whilst on a rooftop in Moscow, Russia, August 14, 2017. (Photo by Maxim Shemetov/Reuters)

A biker poses on his Bousouzoku motorbike at the Dangouzaka rest stop in Yamanashi, west of Tokyo, Japan, January 3, 2016. Police on Sunday halted a group of about two dozen Bousouzoku bikers who paraded their noisy motorcycles during an annual New Year outing in the Mount Fuji region. This Japanese motorcycle subculture dated back to the 1950s and regularly chafes with the police because of their provocative traffic behaviour and bike customising, that is often deemed illegal. (Photo by Thomas Peter/Reuters)

Sandrine Kerfante has had a fascination with “doubles” ever since meeting her mother’s twin as a child. In 2012, this lifelong captivation inspired her to create a blog called twin-niwt, which celebrates photographs of doubles in all their forms. “I’m fascinated by the idea of the duo, repetition, symmetry, reflection, mirror games and all the symbolism associated with it”, she says. “I think it’s a topic often present in photography, more or less consciously”. (Photo by Sandrine Kerfante/The Guardian)

Those lights are actually bioluminescent shrimp, better known as sea fireflies, or, in Japan, as “umibotaru”. Visible every year from May until the end of October, they live in the sand around very shallow sea water and are often seen floating between the extremes of high and low tides. Here: Bioluminescent sea fireflies glittering like diamonds on the rocks and sand. Okayama, Japan. July 2016. (Photo by Trevor Williams/Jonathan Galione/Getty Images)

Cylists hang to the back of a truck outside the capital Bujumbura, July 19, 2015, as the country awaits next week's presidential elections. Each day scores of cyclists make the 45 kilometer downhill journey at breakneck speed from Bugarama to sell bananas, often hanging from the back of trucks for the return uphill trip. (Photo by Mike Hutchings/Reuters)

From the 1940s through the 1960s, the Alfred Mainzer Company of Long Island City, NY published a series of linen and photochrome humorous cat postcards illustrated by Eugen Hartung (or Hurtong) (1897–1973), sometimes referred to as “Mainzer Cats”. These postcards normally illustrate settings that are filled with action, often with a minor disaster just about to occur. While the dressed cats were by far the most popular and most plentiful cards, Hartung also painted other dressed animals – primarily mice, dogs, and hedgehogs.