Mount Nyiragongo is an active stratovolcano On the Virunga Mountains associated with the Albertine Rift. It is located inside Virunga National Park, in the Democratic Republic of the Congo, about 20 km (12 mi) north of the town of Goma and Lake Kivu and just west of the border with Rwanda. The main crater is about two km wide and usually contains a lava lake.
These Northern Lights “rainbows” have turned the sky greener than the Earth below. Vitaly Istomin, 26, spent several nights in freezing conditions under the stars in northern Russia’s Khibiny Mountains to capture the aurora’s “rainbows”. (Photo by Vitaly Istomin/Caters News Agency)
Nurse's Home, North Brother Island, New York. Photographer Christopher Payne specializes in the documentation of America’s vanishing architecture and industrial landscape. His new book, North Brother Island: The Last Unknown Place in New York City, explores an uninhabited island of ruins in the East River of New York City. (Photo by Christopher Payne)
These amazing photographs of buildings in Hong Kong transform what is actually a concrete jungle into scenes of immense beauty. The optical illusions taken by landscape photographer Peter Stewart, show the city in a totally different, colorful light, despite it being one of the most overcrowded cities in the world. Photo: Colorful block of apartments in Hong Kong at night. (Photo by Peter Stewart/Caters News)
Clay Lipsky has created a great series called Atomic Overlook. The project takes terribly boring scenic shots and combines them with some exciting nuclear testing. “Tourists will line up for anything and I always found humor in vacation destinations that are nothing but a bunch of people looking into a great abyss”, he says. “I understand the allure of a beautiful landscape, but as the world’s population grows so do the lines to view the “nothingness”. Atomic Overlook flips the script on that and gives new purpose to those suntanned masses”. (Photo by Clay Lipsky)
Dutch artist Berndnaut Smilde is interested in the ephemeral -- impermanent states of being which he documents through photographs. For Nimbus II, he used a smoke machine, combined with moisture and dramatic lighting to create a hovering indoor cloud in the empty setting of a sixteenth-century chapel in Hoorn, a small town in Holland. “I imagined walking into a museum hall with just empty walls. The place even looked deserted. On the one hand I wanted to create an ominous situation. You could see the cloud as a sign of misfortune. You could also read it as an element out of the Dutch landscape paintings in a physical form in a classical museum hall.”