A lighting bolt flashes in the sky as U.S. Army M1A1 Abram tanks roll through the desert December 9, 2002 near the Iraqi border in Kuwait. (Photo by Joe Raedle/Getty Images)

Star Wars collector James Burns, 44, poses for a photograph with some of his collection in London December 2, 2015. He said “I've met so many wonderful people, all over the world. It's a wonderful community of likeminded people with an interest in Star Wars. There's nothing else like it”. (Photo by Paul Hackett/Reuters)

A diver in a pool at the Army 2021 International Military and Technical Forum, at the Patriot military park in Moscow Region, Russia on August 22, 2021. (Photo by Sergei Karpukhin/TASS/Alamy Live News)

A general view as runners clear a fence during The Gamble Responsibly At BetMGM Handicap Chase at Fontwell Park Racecourse on October 23, 2024 in Fontwell, England. (Photo by Alan Crowhurst/Getty Images)

Hot air balloons in flight over Melbourne, Australia on January 24, 2022. (Photo by Rex Features/Shutterstock)

The extravagant residence Castello di Sammezzano sits on top of a hill in Tuscany, Northern Italy. Originally it was built in the Moorish style in 1605 for Ximenes d'Aragona and then re-designed between 1853 and 1889. After the war the castello was used as a luxury hotel until closure in the mid to late 1990's. It was abandoned until April 2012 when the FPXA committee was formed, aiming to promote and enhance the castle.

“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)