A suspected street robber is arrested by a policeman after a brief chase in the streets, June 20, 2016, in Manila, Philippines. The president-elect of the Philippines, Rodrigo Duterte, declared a war on crime and drugs after sweeping an election on May 9 and has been living up to his nickname, “the punisher”. Philippine police have been conducting night raids almost on a daily basis and revived a curfew for minors that had not been enforced for years, rounding up minors drinking on the streets. (Photo by Dondi Tawatao/Getty Images)

John Malkovich as Marilyn Monroe in a re-creation of Andy Warhol's 1962 painting. The image is a part of the series, “The Malkovich Sessions”, by photographer Sandro Miller and on display at the Catherine Edelman Gallery in Chicago. Miller wanted to pay homage to the artists who influence his photographic career, and approached Malkovich with the idea of re-creating the famous portraits. (Photo by Sandro Miller/Catherine Edelman Gallery)

A visitor stands in front of a portrait taken by artist Bruce Gilden at the “Masters of Photography” exhibition at the Photokina trade fair in Cologne on September 20, 2016. The fair for the photographic and imaging sector, that is running from September 20 to 25, 2016, presents products from image capture, image processing and storage to image output. Photokina also includes a program of events with congresses, workshops, symposiums and photography exhibitions. (Photo by Patrik Stollarz/AFP Photo)

In a January 19, 2014 photo Phillip Seymour Hoffman poses for a portrait at The Collective and Gibson Lounge Powered by CEG, during the Sundance Film Festival in Park City, Utah. Hoffman, who won the Oscar for best actor in 2006 for his portrayal of writer Truman Capote in “Capote” was found dead Sunday in his apartment in New York with what law enforcement officials said was a syringe in his arm. He was 46. (Photo by Victoria Will/AP Photo/Invision)

Dr. Christopher Brown (R), the Director of the Ashmolean, talks with Colin Harrison, the Ashmolean's Senior Curator of European Art, in front of a painting by Edouard Manet entitled “Portrait of Mademoiselle Claus” from 1868 in the Ashmolean Museum on February 24, 2012 in Oxford, England. The painting has been sold to a foreign buyer for 28.35 million GBP, however the Government has extended a temporary export bar on the artwork until August to give the Ashmolean an opportunity to raise funds to retain the painting in the UK. (Photo by Oli Scarff/Getty Images)

13-year-old Emmanuel Festo from Tanzania poses for a portrait with a plush toy that he says makes him feel safe at night and that he sleeps with, in New York's Staten Island, September 21, 2015. Albino body parts are highly valued in witchcraft and can fetch a high price. Superstition leads many to believe albino children are ghosts who bring bad luck. Some believe the limbs are more potent if the victims scream during amputation, according to a 2013 United Nations report. (Photo by Carlo Allegri/Reuters)

Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)