Jonny Joo, 23, visits derelict malls, stations, towers and other places because they remind him of Silent Hill – a psychological horror video game which was made into a film. “When I first started exploring places, so many would remind me of the game. It was a world I was kind of obsessed with because of how dark and eerie it looked”, Joo said. His book, titled “Empty Spaces”, will feature 116 images and is being released this week. Photo: A glass-walled corridor at Cleveland's abandoned aquarium in Ohio. (Photo by Jonny Joo/Barcroft Media)

Inside the Afar Triangle in Ethiopia’s Danakil desert, camel caravans are used to carry salt. For centuries, the essential mineral has been mined by the Afar people, known for their ability to withstand extremes. The terrain is rugged, travelers are scarce and so are motor vehicles, where the average annual temperature is the highest in the world, and can rise to 122 degrees Fahrenheit, 50 degrees Celsius. (Photo by Ziv Koren/Polaris)

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.

A tea garden worker plucks tea leaves inside Aideobarie Tea Estate in Jorhat in Assam, India, April 21, 2015. Unrest is brewing among Assam's so-called Tea Tribes as changing weather patterns upset the economics of the industry. Scientists say climate change is to blame for uneven rainfall that is cutting yields and lifting costs for tea firms. (Photo by Ahmad Masood/Reuters)

Three elephant seals put on a show in Roie Galitz's “Three Tanors”, taken on January 7, 2016 in South Georgia Island. The Comedy Wildlife Photography Awards are in full swing, so check out some of the fierce competitors jostling for the top prize this year. Photographers Paul Joynson-Hicks MBE and Tom Sullam founded the awards to spotlight wildlife conservation efforts and to inject some humour into the world of wildlife photography. (Photo by Roie Galitz/CWPA/Barcroft Images)

Mohamed Mostafa, 35, carries dyed yarns at a dye workshop in old Cairo, Egypt, March 17, 2016. Egypt's hard currency crisis and competition from modern factories in Asia and at home threaten one of the last dye workshops in Egypt. But one of its owners takes comfort in the trade's ancient resilience. Mohamed Mostafa boasts that the profession dates back 3,000 years, so it can survive anything. (Photo by Amr Abdallah Dalsh/Reuters)

A staff member removes a coffin from a room of the “Corpse Hotel” in Kawasaki, Japan, April 20, 2016. Many so-called corpse hotels have emerged as a flourishing business in the city following a crunch in crematoriums. Families can rent a room in Sousou on a daily charge of 9,000 Japanese yen (£58, €74, $84) to keep the body of the deceased relative for up to four days until they find a crematorium. (Photo by Thomas Peter/Reuters)

“Grit and Glamour”, a retrospective of the late British photographer Elsbeth Juda, who fled Nazi occupation and came to England in 1933, is at the Jewish Museum, in London, until July 1, 2018. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)