Shuichi Mizoguchi is the forerunner of Japanese digital graphic art. He is known for his fantastic Japanese feminine beauty imagery. SHU can get the best of his talent to use various colors freely and uniquely to create fantastic imagery of ancient scenery, robots on top of the Japanese feminine beauty. His imagery has been captivated by Japanese young and middle class generations.

Georgia Baker, 12, enjoys the bright yellow Sunflower field on a farm near Christchurch in Dorset on August 7, 2022. (Photo by Rachel Baker/Bournemouth News)

These Filipino icons of ingenuity were originally re-crafted from abandoned US army jeeps after the second world war, and helped to establish a new system of urban transportation. Jeepneys are being phased to help ease city congestion, but the move will also cause unemployment for experienced drivers – and higher fares for commuters. (Photo by Claudio Sieber/Barcroft Media)

This series of pictures shot by satellite, show the man-made world as astronauts see it. Artist Benjamin Grant uses Google Earth to find the most compelling satellite images of human civilization. The stunning pictures of sprawling metropolises and vast reservoirs are sometimes unidentifiable until zoomed in. In order to find an extraordinary picture in the practically endless supply of satellite data, Benjamin focuses on the themes of current events or environmental issues. Here: Industrial Sector, Tokai, Japan. (Photo by Benjamin Grant/Digital Globe/Caters News)

A videographer uses a drone as he takes a video of a model presenting a lingerie creation at the rehearsal for Eve's Temptation collection during China Fashion Week in Beijing, October 26, 2014. (Photo by Kim Kyung-Hoon/Reuters)

The FFZero1 by Faraday Future is displayed at CES Unveiled, a media preview event for CES International Monday, January 4, 2016, in Las Vegas. The high performance electric concept car was unveiled during a news conference by Faraday Future. (Photo by Gregory Bull/AP Photo)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)