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File photo taken on July 24, 2011 shows the scenery of karst landform in Dacai Township under Maonan Autonomous County of Huaijiang, south China's Guangxi Zhuang Autonomous Region. The World Heritage Committee on Monday inscribed an extension of South China Karst, a natural World Heritage Site since 2007, into the UNESCO's World Heritage List. (Photo by Wang Xiufa/Xinhua)

File photo taken on July 24, 2011 shows the scenery of karst landform in Dacai Township under Maonan Autonomous County of Huaijiang, south China's Guangxi Zhuang Autonomous Region. The World Heritage Committee on Monday inscribed an extension of South China Karst, a natural World Heritage Site since 2007, into the UNESCO's World Heritage List. (Photo by Wang Xiufa/Xinhua)
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07 Aug 2014 10:19:00


A sign marks a railway crossing next to the troubled Kruemmel nuclear power plant on June 2, 2011 in Geesthacht, Germany. The German government recently announced it will phase out the country's 17 remaining nuclear reactors by 2022 in a policy initiative that represents a radical reversal from its previous policy and was sparked by the disaster at Fukushima. Kruemmel went into operation in 1983 but was taken offline following a fire in 2007. (Photo by Sean Gallup/Getty Images)
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03 Jun 2011 09:12:00


KALTENBERG, GERMANY - JULY 08: Actors dressed as knights perform during the traditional Kaltenberg knight tournament on July 8, 2007 in Kaltenberg, Germany. With around 120,000 visitors each year, the festival including knight tournaments, medieval styled markets and a variety of music performances, the event is one of the biggest of its kind. (Photo by Johannes Simon/Getty Images)
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14 Nov 2011 16:55:00
An activist of the anti-G8 forum 'Block G8' shows his middle finger to a police helicopter passing overhead

An activist of the anti-G8 forum “Block G8” shows his middle finger to a police helicopter passing overhead June 07, 2007 at Bollhagen, near Heiligendamm, Germany. (Photo by Carsten Koall/Getty Images)
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27 Dec 2011 15:40:00
Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)
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10 Jun 2016 13:30:00
“7584 Fish”. On a windy day right after a Cyclone passed the far northern Great Barrier Reef i took some friends out to the reef. Never before i saw that many glass fish on this particular coral “bommie”. Just when i setup my camera, this Napoleon Wrasse swam right through the school of fish building a living frame. Photo location: Cairns, Great Barrier Reef, Flynn Reef, Australia. (Photo and caption by Christian Miller/National Geographic Photo Contest)

“7584 Fish”. On a windy day right after a Cyclone passed the far northern Great Barrier Reef i took some friends out to the reef. Never before i saw that many glass fish on this particular coral “bommie”. Just when i setup my camera, this Napoleon Wrasse swam right through the school of fish building a living frame. Photo location: Cairns, Great Barrier Reef, Flynn Reef, Australia. (Photo and caption by Christian Miller/National Geographic Photo Contest)
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07 Oct 2014 11:48:00
Professional conceptual category winner. Greetings from Mars, by Julien Mauve, France. Mauve says: “I have always wondered what it would be like to discover a totally different world ... and to photograph it for the first time as if I was Ansel Adams. So I came up with this project, which is about space exploration and discovery. But it’s also about our behavior in front of landscapes and how we create pictures that will share our personal story with the world”. (Photo by Julien Mauve)

Professional conceptual category winner. Greetings from Mars, by Julien Mauve, France. Mauve says: “I have always wondered what it would be like to discover a totally different world ... and to photograph it for the first time as if I was Ansel Adams. So I came up with this project, which is about space exploration and discovery. But it’s also about our behavior in front of landscapes and how we create pictures that will share our personal story with the world”. (Photo by Julien Mauve)
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23 Apr 2016 13:57:00
A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)
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04 Aug 2016 12:34:00