Somali couple Mohamed Noor (L) and Huda Omar pose for a photograph at their makeshift home during their wedding ceremony in Mogadishu's Rajo camp, Somalia August 17, 2016. Having met two years ago, the pair have just married at Rajo camp, where some 400 families live. Most, like Noor's parents, came here in the early 1990s to flee famine. (Photo by Feisal Omar/Reuters)

“Newton was born in Berlin, the son of Klara “Claire” (Marquis) and Max Neustädter, a button factory owner. His family was Jewish. Newton attended the Heinrich-von-Treitschke-Realgymnasium and the American School in Berlin. Interested in photography from the age of 12 when he purchased his first camera, he worked for the German photographer Yva (Elsie Neulander Simon) from 1936. The increasingly oppressive restrictions placed on Jews by the Nuremberg laws meant that his father lost control of the factory in which he manufactured buttons and buckles; he was briefly interned in a concentration camp on “Kristallnacht”, November 9, 1938, which finally compelled the family to leave Germany. Newton's parents fled to South America. He was issued with a passport just after turning 18, and left Germany on December 5, 1938. At Trieste he boarded the “Conte Rosso” (along with about 200 others escaping the Nazis) intending to journey to China. After arriving in Singapore he found he was able to remain there, first and briefly as a photographer for the Straits Times and then as a portrait photographer”. – Wikipedia

Photo: Sigourney Weaver by Helmut Newton, 1995.

Swedish photographer Paul Hansen won the 2012 World Press Photo award Friday for newspaper Dagens Nyheter with a picture of two Palestinian children killed in an Israeli missile strike being carried to their funeral.

Photo: In this photo provided on Friday February 15, 2013 by World Press Photo, the 2013 World Press Photo of the year by Paul Hansen, Sweden, for Dagens Nyheter, shows two-year-old Suhaib Hijazi and her three-year-old brother Muhammad who were killed when their house was destroyed by an Israeli missile strike. Their father, Fouad, was also killed and their mother was put in intensive care. Fouad's brothers carry his children to the mosque for the burial ceremony as his body is carried behind on a stretcher in Gaza City, Palestinian Territories, November 20, 2012. (Photo by Paul Hansen/Dagens Nyheter/AP Photo)

Lowry Park Zoo elephants Matjeka, 23, and her 1-year-old daughter, Mavi, apply a liberal coating of “sunscreen” to themselves in a clay mud wallow at the park Tuesday, August 12, 2014, in Tampa, Fla., on the park's first observation of World Elephant Day to raise awareness of the wild African elephant crisis. “Elephants are prone to being sunburned”, said associate curator Chris Massaro. “What they need is lot of mud or clay to roll around in and cover up their skin so it will protect it from the sun”. (Photo by Cherie Diez/AP Photo/The Tampa Bay Times)

Workers hang thousands of different colorful fabrics on iron wires tied between a bamboo framework and constantly turn them so that they dry perfectly in a flooded field in Narayanganj, Bangladesh on March 16, 2022. (Photo by Joy Saha/ZUMA Press Wire/Rex Features/Shutterstock)

“This is the heart-stopping moment a photographer came within inches of a young cheetah when it stuck its head through her sun roof. Australian Bobby-Jo Clow, 31, was on safari in Tanzania when the juvenile started heading towards her Landrover with his sibling. She snapped away as the young male dangled its paws in front of her face and smelt her hair before its mother called it away into the wilds of the Serengeti National Park. But not until Bobby-Jo, a full-time elephant keeper at a Tanzanian Zoo, had leaned forward enough to capture the perfect shot, causing the cheetah to hiss and bare its teeth”. – Caters News. (Photo by Bobby-Jo Clow/Caters News)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)