Runners high-five children cheering from the sidewalk as they begin the half marathon during the Ottawa Race Weekend, which returned from a two-year hiatus due to the COVID-19 pandemic in Ottawa, Canada on Sunday, May 29, 2022. (Photo by Canadian Press/Rex Features/Shutterstock)

A performer wearing a lion mask performs the Ise Daikagura lion dance at the remote village of Yamanawa on February 08, 2021 in Ryuo, Japan. Ise Daikagura is a group of traditional Lion Dance performers who pray in front of farmers houses and businesses for good grain harvests and disease-free lives. (Photo by Buddhika Weerasinghe/Getty Images)

Queen Elizabeth II (as Princess Elizabeth) writing at her desk in Windsor Castle, Berkshire. (Photo by Lisa Sheridan/Studio Lisa/Getty Images). 30th May 1944

Two Tibetan women wearing traditional striped aprons, elaborate headdresses and abundant jewellery. Original Publication: From a photograph by Shephard. (Photo by Hulton Archive/Getty Images). Circa 1910

A man wearing a mouth-nose protection to protect against the coronavirus walks past a department store window with the words “BACK TO LIFE” in Schwerin, Germany, Thursday, April 15, 2021. (Photo by Jens Buettner/dpa via AP Photo)

Harris & Ewing Inc. photographed people, events, and architecture, particularly in Washington, D.C., during the period 1905-1945. Photo: Tests of Curtiss Palne for Army, Single Control. Created by Harris & Ewing. Published in 1912.

This picture was taken in the 1890's and shows a group of loggers hauling a heavy load. It is hard to even picture how they got the logs stacked that high. It is also hard to imagine how they keep it from tipping over.

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)