Daredevil Christopher Gillette writhes around with a huge alligator he has saved from death. He works at a Florida sanctuary that rescues the wild beasts if they stroll into neighbourhoods where residents can legally kill them. To raise cash for the centre at Homestead, staff put on shows to feed and wrestle the alligators. Photographer John Chapa, 41, and girlfriend Adriana Canargo, 30, took these shots. Photo: Assistant photographer Adriana Canargo dives with a wild alligator. (Photo by John Chapa/Barcroft Media)

Frank A. Rinehart, a commercial photographer in Omaha, Nebraska, was commissioned to photograph the 1898 Indian Congress, part of the Trans-Mississippi International Exposition. More than five hundred Native Americans from thirty-five tribes attended the conference, providing the gifted photographer and artist an opportunity to create a stunning visual document of Native American life and culture at the dawn of the 20th century. Photo: Little Bird, Arapahoe, 1899. (Photo by Frank A. Rinehart)

“One artist doesn’t mind if people class her work as rubbish. Thats because all of her pieces are made out of junk found in charity shops, garage sales and in and around her home. Using the likes of buttons, broken jewelry and toy parts, Jane Perkins, from Exeter, UK, has recreated the famous faces of Albert Einstein, Kate Middleton, The Queen, as well as some of the worlds most iconic paintings and photographs”. – Caters News. Photo: Afghan Girl (based on photograph by Steve McCurry/National Geographic). (Photo by Jane Perkins/Caters News)

“John Thomson (14 June 1837 – 29 September 1921) was a pioneering Scottish photographer, geographer and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artifacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881”. – Wikipedia. Photo: Ex Omnibus Driver. (Photo by John Thomson/LSE Digital Library)

It's often said that pets and their owners can start to look alike, but these adorable photographs take the old mantra to a new extreme. They are the work of Svetlana Valyiskaya (27), from St Petersburg, who snaps pets in everyday poses in her spare time from her job as a commercial photographer. The vibrant costumes and scenes, which Svetlana designs herself, have made the photos a hit in her native Russia – and it's not hard to see why. She said: “I really love animals, they are loyal, faithful and true and always interesting to work with – plus they never criticise the photographs afterwards”. (Photo by Svetlana Valyiskaya/Mercury)

These “snapcats” have found their bunny doppelgängers in a series of sweet photo shoots. Animal photographer Mark Taylor, from Surrey, England, and his assistants have scoured the U.K. to bring together carbon-copy rabbits and cats. Here: Chocolate Birman-cross kitten with chocolate Lop rabbit. (Photo by Mark Taylor/Warren Photographic/Caters News Agency)

A picture made available on 20 October 2015 shows a foreign tourist posing for a souvenir photograph with a figure of a tiger head at a private zoo on Phuket Island, Thailand, 17 October 2015. Each day hundreds of tourists, including young children, visit the private tiger zoo where visitors are allowed to touch and pose for photographs with unchained tigers inside their enclosures. (Photo by Rungroj Yongrit/EPA)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)