Vehicles move past a man resting on a taxi, as he waits for passengers, along a road in Karachi, Pakistan, May 5, 2015. (Photo by Akhtar Soomro/Reuters)

A mechanic assembles a BMW C evolution electric maxi-scooter at the BMW Berlin motorcycle plant February 23, 2015. The storage capacity of the BMW C evolution's high-voltage 8 kWh battery provides a range of up to 100 kilometres and a maximum speed of 120 km/h. (Photo by Fabrizio Bensch/Reuters)

A woman works at a factory producing clay pots at Phu Lang pottery village in Bac Ninh province, Vietnam, May 14, 2015. The village is part of an old pottery triangle in northern Vietnam which includes Bat Trang and Tho Ha, and has been producing pottery since the 13th century, according to local media. (Photo by Reuters/Kham)

A boy rides on a snow wagon towed by a robot dressed as a Teddy bear, which only moves forward by moving its legs, during the Ice and snow carnival at Taoranting park in Beijing February 9, 2015. (Photo by Kim Kyung-Hoon/Reuters)

Passionate fans are doing something unique (wacky) to celebrate the World Cup. They’re getting the likeness of their favorite player shaved into the back of their head. Photo: England fan Joel Moore (23) has had a haircut featuring the face of World Cup star Theo Walcott by Daren Terry from Lotus Styling in Bognor Regis, West Sussex. (Photo by Southern News & Pictures)

Hirari Ikeda, a well-known Harajuku street fashion personality, on the street in Shibuya. (Photo by Tokyo Fashion)

A girl plays on a pile of discarded flowers outside a market, the day after the Diwali celebrations in Mumbai, India October 31, 2016. (Photo by Shailesh Andrade/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)