Shortlisted: Sólheimasandur aircraft crash site, Iceland by Ollie Conway. (Photo by Ollie Conway/Historic Photographer of the Year Awards 2019/The Guardian)

“Misty Rainbow”. A rainbow appears over tea fields in Tangerang Selatan, Indonesia. (Photo by Dani Agus Purnomo/Royal Meteorological Society’s Weather Photographer of the Year Awards)

Winner, photojournalism. Elephant in the room, by Adam Oswell, Australia Zoo. Visitors watch a young elephant performing underwater. Oswell was disturbed by this scene, and organisations concerned with the welfare of captive elephants say performances like this encourage unnatural behaviour. In Thailand, there are now more elephants in captivity than in the wild. With the Covid pandemic causing tourism to collapse, elephant sanctuaries are becoming overwhelmed with animals that can no longer be looked after by their owners. (Photo by Adam Oswell/Wildlife Photographer of the Year 2021)

The sun rises between Sgurr nan Gillean and Knight’s Peak, Black Cuillin, Isle of Skye. (Photo by Adrian Trendall/Mountain Photo of the Year)

The shortlist for the coveted Bird Photographer of the Year awards has been announced by Nature Photographers and the British Trust for Ornithology. Here: Red-billed oxpecker on an impala, Kruger National Park, South Africa. (Photo by Edmund Aylmer/BPOTY/Cover Images/The Guardian)

An image captured by Jasmine Vink, the winner of the wildlife and animal category and overall winner in Australian Photography’s 2018 Photographer of the Year competition. (Photo by Jasmine Vink/Australia's 2018 Photographer of the Year by Panasonic)

Revelers celebrate New Years Eve in socially distanced pods at Times Square on December 31, 2020, in New York City. On average, about one million revelers are drawn to the Crossroads of the World to watch performances and celebrate the New Year. This year a limited live audience of about 40 first responders and essential workers will be allowed to watch the New Years' ball drop from a secure area in Times Square. (Photo by David Dee Delgado/Getty Images)

A cosplayer dressed as a “remote worker” with “corporate slave” written on his glasses poses for a photo on New Year's Eve at Comiket, the largest comic market that had been postponed for two years because of the coronavirus disease (COVID-19) pandemic, in Tokyo, Japan December 31, 2021. (Photo by Androniki Christodoulou/Reuters)