American singer-songwriter Madonna poses for a sеxed up snap with her daughter Lourdes Leon in December 2021. (Photo by madona/Instagram)

Frank A. Rinehart, a commercial photographer in Omaha, Nebraska, was commissioned to photograph the 1898 Indian Congress, part of the Trans-Mississippi International Exposition. More than five hundred Native Americans from thirty-five tribes attended the conference, providing the gifted photographer and artist an opportunity to create a stunning visual document of Native American life and culture at the dawn of the 20th century. Photo: Little Bird, Arapahoe, 1899. (Photo by Frank A. Rinehart)

An attendee dressed as Winnie the Pooh talks with a member of the D.C. Metropolitan Police Department during the annual pre-Halloween High Heel Race in Washington, D.C., U.S., October 28, 2025. (Photo by Nathan Howard/Reuters)

“Danger in the mud” – a crocodile at Mana Pools National Park, Zimbabwe. The grand prize winner. (Photo by Jens Cullmann/World Nature Photography Awards 2022)

Technicians check a CRH high-speed train at Shanghai Hongqiao High-speed train base on December 28, 2011 in Shanghai, China. China's railway stations have started today to sell tickets for the 2012 Spring Festival travel season scheduled to run between January 8th and February 16th, centred around the Chinese New Year which this year falls on January 23rd. (Photo by ChinaFotoPress/Getty Images)

Kourtney Roy makes eerie self-portraits in desolate yet dramatic locations – with wigs and wardrobe straight out of 1950s melodrama. In these shots, from her “Enter as Fiction – California” series, she plays characters caught in desolate, often abandoned settings. (Photo by Kourtney Roy/Galerie Catherine et André Hug/The Guardian)

Israeli illusionist and endurance artist Hezi Dean performs a purported levitation trick in Tel Aviv March 22, 2015. Dean on Sunday began what he calls a “24-hour levitation” on the outside of a Tel Aviv building. (Photo by Baz Ratner/Reuters)

Artist Vik Muniz is known for his gigantic composite installations and sculptures created from thousands of individual objects. In this new collaboration with artist and MIT researcher Marcelo Coelho, Muniz takes the opposite approach and explores the microscopic with a new series of sandcastles etched onto individual grains of sand.