An oversized, prehistoric praying mantis wreaks havoc in a freeway underpass as it overturns cars and trucks, in a film still from “The Deadly Mantis”, directed by Nathan Juran, 1957. (Photo by Universal Pictures/Courtesy of Getty Images)

Adele Clark, aged 8, looks at an animatronic Gallimimus dinosaur at the Natural History Museum on April 20, 2011 in London, England. The Age of the Dinosaur is a summer exhibition combining animatronic models, fossils and CGI film footage. (Photo by Matthew Lloyd/Getty Images)

Actresses Vonnie Lui (R) and Yukiku Suou (L) attend the “3D s*x And Zen: Extreme Ecstacy” photocall at the Majestic Beach Pier during the 64th Cannes Film Festival on May 14, 2011 in Cannes, France. (Photo by Michael Buckner/Getty Images)

“Christoph’s early career in Paris encompassed fashion editorial and advertising work as well as some photography for the music industry. After spending 5 years in Paris, Christoph moved to New York where his passion for visual storytelling found purchase in the film industry”. – Tim Mitchell

Hu Shaoming is a fantastic artist from China, who has learnt Fine Arts at Guangzhou Academy. The most complex sculpture of all his works is a mechanical seahorse, constructed from many tiny details. The whole composition consists of two complete opposites, including the top part of the seahorse`s head that looks like a golden town, and the bottom which resembles an amazing blue creature. An important problem is reflected in such an idea; it shows how a man forces the nature into submission. The contrast in the opposition of the human buildings and conquered Mother Nature suggests the thought of keeping our natural environment safe.

In his book “Side Effects”, aerial photographer Kacper Kowalski took to the skies to paint a portrait of the complex relationship between humans and nature. From the sky, he captured where nature and civilization collide into aesthetic, abstract colors and shapes. Photo: A view over fields of grain in Spring chamomile, cornflower and other weeds growing amongst the grain sprouts. (Photo by Kacper Kowalski/Panos Pictures)

The Slauerhoffbrug (English: Slauerhoff Bridge) is a fully automatic bascule bridge (aka tail bridge) in the city of Leeuwarden in the Netherlands. It uses two arms to swing a section of road in and out of place within the road itself. It is also known as the “Slauerhoffbrug ‘Flying’ Drawbridge”. A tail bridge can quickly and efficiently be raised and lowered from one pylon (instead of hinges). This quickly allows water traffic to pass while only briefly stalling road traffic. The deck is 15 m by 15 m. It is painted in yellow and blue, representative of Leeuwarden's flag and seal.