A dancer performs as visitors take pictures at an auto show in Tianjin, China April 28, 2016. (Photo by Reuters/Stringer)

A homeless girl asks for alms outside a coffee shop in Mumbai, India, June 24, 2016. (Photo by Danish Siddiqui/Reuters)

Renowned amphibian and reptile photographer Matthijs Kuijpers has released his first book, “Cold Instinct”. Kuijpers says the aim of the work is “for the viewer to abandon the fear and negative thoughts that often surround these animals”. What’s left is the bizarre beauty of these creatures in their simplest form – no backgrounds and no distractions. Here: Mossy frog (Theloderma corticale). (Photo by Matthijs Kuijpers/The Guardian)

Thailand's King Bhumibol Adulyadej in serious portrait January 01, 1960. Thailand's Royal Palace said on Thursday, October 13, 2016, that Thailand's King Bhumibol Adulyadej, the world's longest-reigning monarch, has died at age 88. (Photo by John Dominis/The LIFE Picture Collection/Getty Images)

A Syrian boy receives treatment at a hospital in the regime-held part of Aleppo on October 13, 2016. Syrian state television said four children were killed by rebel rocket fire on a school in a western regime-held neighbourhood. (Photo by George Ourfalian/AFP Photo)

Moonlight illuminates sandstone buttes in the Valley of the Gods in the proposed Bear Ears National Monument near Mexican Hat, Utah, USA, 12 November 2016. In October 2015, a coalition of five Indian nations, including the Hopi, Ute, and Navajo, formally proposed the monument, attempting to preserve the parcel's 100,000 archeological sites from ongoing looting and grave robbing. Less than two months before handing over the White House to President Elect Trump, President Obama must decide if it's worth the political capital to designate Bear Ears a national monument. (Photo by Jim Lo Scalzo/EPA)

Women take a selfie next to a police officer as they take part in New Year's Eve celebrations in the Bund, in Shanghai, China December 31, 2016. (Photo by Aly Song/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)