The legs of camel and sheep for the “Living Nativity” scene, and Rockettes, of the “Radio City Christmas Special”, are juxtaposed as they pose for photos outside New York's Radio City Music Hall, Tuesday, October 28, 2014. The show is scheduled to open Friday, November 7, 2014 and continue through Wednesday, December 31, 2014. The “Living Nativity” has been part of the Christmas Spectacular since its inception in 1933. (Photo by Richard Drew/AP Photo)

A woman walks past the barbed wire separating Belarusian servicemen and Belarusian opposition supporters during a rally in Minsk, Belarus, Sunday, August 30, 2020. Tens of thousands of demonstrators have gathered in the capital of Belarus, beginning the fourth week of daily protests demanding that the country's authoritarian president resign. The protests began after an Aug. 9 presidential election that protesters say was rigged and officials say gave President Alexander Lukashenko a sixth term in office. (Photo by Tut.By via AP Photo)

A visitor takes pictures with a smartphone of an artwork entitled “Blue Europe, 2015” by Chinese artist Liu Bolin, on display during the exhibition “Visible Invisible” at the Mudec Museum in Milan on May 14, 2019. Liu Bolin known as “the invisible man” for his photographic self-portraits, focused on a body-painting blending with the surrounding area. (Photo by Miguel Medina/AFP Photo)

Performers on boats take part in the Qintong Boat Festival at Qin Lake National Wetland Park on April 6, 2019 in Taizhou, Jiangsu Province of China. The boat festival is held around the Qingming Festival every year, and up to 10,000 participants from nearby villages and towns, with more than 500 boats, took part in the event this year. (Photo by Tang Dehong/VCG via Getty Images)

Costumed dancers parade on the first day of the annual Qoyllur Rit'i festival on May 27, 2018 in Ocongate, Peru. Every year, since 1783 in the Sinakara Valley at the foot of Mt Ausagante, the Qoyllur Rit'i, or “Snow and Star” festival draws tens of thousands of pilgrims from across the Peruvian Andes and beyond to what is the biggest religious gathering of its kind. Since 1780 the event merged into a mosaic of indigenous, pagan and Catholic worship when an image of Jesus appeared on a boulder after the death of a young shepherd. (Photo by Dan Kitwood/Getty Images)

I was born in Calella (Barcelona) in 1956, and nowadays I live in Vilassar de Mar (Barcelona). Since I was a child I have been fascinated by painting and I think I'm a self-taught painter because, despite I was taught drawing at Primary School, I have acquired my knowledge thanks to my environment. Painting is my own way to express myself. I can shape my inward in the canvas with the essential help of the palette knife and the colours. As a nature’s lover and great observant, my environment has always been my source of inspiration. At present I devote myself exclusively to painting, my true passion, and that is why I feel extremely fortunate.

Lovely is the correct work to describe this beautiful paintings series by David Renshaw from “Ted n’ Doris – A Northern Romance”. “Deep down I always knew what I wanted to do for a living and in my school years I remember my father teaching me some basic elements of drawing and I dreamed of one day becoming an artist. Being only really interested in art I left school and studied Graphic Design, after which I started work at a local art gallery as a picture framer. I continued to paint alongside my job, mainly developing techniques and ideas and in 2005 decided it was time to follow my dreams and dedicate myself to painting full time. I always try to make my work feel atmospheric, and I like to pay particular attention to sky and cloud formations as I consider this element of my work to be extremely important to the mood of the finished painting, whether it be a dramatic sunset or a misty moonlit night.”

At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)