A craftsman works on making human anatomy mannequins on April 23, 2014 in Depok, West Java, Indonesia. The mannequins are made from fiberglass and will be used in schools, hospitals and laboratories. (Photo by Nurcholis Anhari Lubis/Getty Images)

An image from House Television shows Republican John Rose speaking on the floor of the House of Representatives as his son Guy makes a face in Washington DC, US on June 4, 2024. (Photo by AP Photo)

Citizens are making memories under plum trees in full bloom at Gijang Plum Orchard in Gijang-gun, Busan on March 16, 2025. (Photo by Kim Dong-hwan)

A woman walks into the ocean as a sea lion makes its way to the beach in the La Jolla neighborhood of San Diego, California, on September 3, 2025. (Photo by Mike Blake/Reuters)

On the November 24, 2025, children are making human faces by collecting fallen leaves in the forest in front of the Yuseong-gu Office in Daejeon. (Photo by Shin Hyeon-jong)

Associated Press photographer Wong Maye-E tries to get her North Korean subjects to open up as much as is possible in an authoritarian country with no tolerance for dissent and great distrust of foreigners. She has taken dozens of portraits of North Koreans over the past three years, often after breaking the ice by taking photos with an instant camera and sharing them. Her question for everyone she photographs: What is your motto? Their answers reflect both their varied lives and the government that looms incessantly over all of them. (Photo by Wong Maye-E/AP Photo)

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.