A group of caimans sit on the banks of the almost dried up Bento Gomes River in the Pantanal wetlands near Pocone, Mato Grosso state, Brazil, Wednesday, November 15, 2023. Amid the high heat, wildfires are burning widely in the Pantanal biome, the world's biggest tropical wetlands. (Photo by Andre Penner/AP Photo)

A pigeon rests on a wild iguana in a tree inside Seminario Park in Guayaquil, Ecuador, Thursday, April 3, 2014. Pigeons coexist with the wild iguanas at this park in the middle of the city surrounded by savannah. (Photo by Dolores Ochoa/AP Photo)

Highly commended, mammals: Gelada after the storm – Marco Gaiotti (Italy). “Gelada baboons are the only monkey species in the world that feed on grasses. They are native to the tableland of Ethiopia. Every morning large family groups wander from their sleeping places in the steep rock face, up to 1,000 metres high, to the feeding grounds at the tablelands. This image clearly depicts their feeding strategy: they pull out bunches of grass, sort the stalks and then lift them to their mouth. This shot was taken towards the end of the rainy season after a heavy storm”. (Photo by Marco Gaiotti/2019 GDT European Wildlife Photographer of the Year)

A worker applies colour to strings which will be used to fly kites, by a roadside in Ahmedabad, India, November 23, 2017. (Photo by Amit Dave/Reuters)

Alan Swinney points a gun during clashes between groups like Proud Boys and Patriot Prayer, and protesters against police brutality and racial injustice in Portland, Oregon, U.S., August 22, 2020. (Photo by Maranie Staab/Reuters)

A woman wearing a face mask to protect against the spread of COVID-19 walks past a mask clad Acrocanthosaurus display at the Witte Museum, Thursday, January 28, 2021, in San Antonio. (Photo by Eric Gay/AP Photo)

An unidentified elderly woman, who was knocked over during the melee after a shot was fired in the direction of President Ford, is comforted by a passerby in San Francisco, September 23, 1975. (Photo by AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)