Tsunami, an eleven year old female Sumatran Orangutan eats a fruit platter during her birthday celebration at the National Zoo Ape Center in Kuala Lumpur, Malaysia, Thursday, December 31, 2015. (Photo by Manan Vatsyayana/AFP Photo)

A woman takes pictures with the Kawazu cherry blossom trees, one of the earliest blooming cherry blossoms in Japan, in Tokyo's Sumida district on March 11, 2024. (Photo by Philip Fong/AFP Photo)

South American sea lion. Valencia, February 8, 2012. (Photo by Ger Art; Source: Flickr)

A dog wearing ski goggles rides on the back of a man as they both stand in Times Square in New York, USA on January 25, 2021. (Photo by John Angelillo/UPI/Rex Features/Shutterstock)

A mischievous squirrel chases a turkey in a garden in Medford, Wisconsin in the second decade of January 2024. The garden’s owner, artist Cheryl Plautz, said the squirrels chase the birds “for fun”. (Photo by Cheryl Plautz/Solent News)

In this handout photo provided by Warner Brothers Pictures and Village Roadshow Pictures, Tom Cruise plays Lieutenant Colonel Bill Cage, a soldier who replays his last day while trying to fight aliens, in director Doug Liman's “All You Need Is Kill”. The film is set to premiere on March 14, 2014. (Photo by David James/Warner Brothers Pictures)

Women dressed in traditional Chinese costumes wait perform in celebration of the Chinese New Year at the Nankinmachi square, China Town on February 8, 2016 in Kobe, Japan. In Nankinmachi, the district known as Kobe Chinatown, tourists enjoyed Chinese food, lion dance and the parade organized to celebrate the Lunar New Year. (Photo by Buddhika Weerasinghe/Getty Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.