A view of the Tianducheng development in Hangzhou, Zhejiang Province August 1, 2013. Tianducheng, developed by Zhejiang Guangsha Co. Ltd., started constructing in 2007 and was known as a knockoff of Paris with a scaled-replica of the Eiffel Tower, standing 108 metres, and Parisian houses. Although designed to accommodate at least ten thousand people, Tianducheng remains sparsely populated and is now considered as a “ghost town”, according to local media. (Photo by Aly Song/Reuters)

Take a walk on the wild side around some of the most down right dangerous places in the world - and all without leaving your desk, courtesy of Google Street View. Since 2007, Google's amazing technology has given people the chance to visit the Eiffel Tower, peer out over San Francisco's Golden Gate Bridge or walk along a beach in the Bahamas. But as well as mapping the tourist-friendly hotspots, Google also ventured into places you really wouldn't want to find yourself. Here is a collection of some the most notorious areas captured by the infamous roaming camera cars from around the UK and the world.

Brush and trees are engulfed in flames after firefighters set a backburn along Highway 191 in an attempt to control a raging wildfire on June 10, 2011 in Nutrioso, Arizona. The fire, which is five percent contained, has so far consumed over 400,000 acres of land and destroyed 29 homes. (Photo by Kevork Djansezian/Getty Images)

A worker adds gunpowder into paper cylinders to make fireworks at a factory in Bocaue town, Bulacan province, Philippines, December 26, 2015. (Photo by Romeo Ranoco/Reuters)

A model displays a creation by designers members of the Carabobo Sostenible program who present a collection made of corn cob husks, plastic, and paper in front of the facade of the Virgen del Carmen church in the town of Mariara, Carabobo state, Venezuela, on August 3, 2023. (Photo by Juan Carlos Hernandez/AFP Photo)

Originally hailing from a small town in Iowa, Adonna Khare was this year’s recipient of the Art Prize 2012 for her amazingly detailed large-scale pencil on paper works. All of Khare’s work evolve naturally without much pre-planning, essentially building her pieces as she continues to work.