Bernard Pras uses objects and materials he finds in landfills to create his incredible anamorphic sculptures. His sculptures are often recreations of famous works of art, but he puts his own unique spin on these classics with his amazing optical illusion stacking technique.

A farmer seen harvesting his crops while Mount Sinabung spewing out volcanic ash on July 4, 2017 in North Sumatera, Indonesia. The increased volume of lava dome that reaches one million eight hundred cubic meters, said volcanologist, through radio communications, do not dampen the activities of the people around sinabung, such as farming, harvesting their crops, picking up objects that are still left behind, or just take a picture while walking around near mount Sinabung. (Photo by Sabirin Manurung/Pacific Press/Barcroft Images)

A retrospective spanning Enzo Mari's 60-year career. at the Science Museum in London on March 27, 2024. This large-scale exhibition includes the full spectrum of Mari's output, from his work as a designer, but also as an artist, teacher, critic and theorist. In total, more than 300 objects will be on display – most have not been seen in the UK before. (Photo by Guy Bell/Alamy Live News)

The Azerbaijan-based artist’s mixed-media installations include pieces entitled “Looking at two cities from one point of view”, “Plastik portret” and “Crisis haha”. Alakbarov carefully positions multicolored acrylic planes, packaging materials, and other objects of assorted shapes and then projects light upon then to create shadow images of beautiful beaches, cities, people, and even words.

Dancers perform as human sculptures during an exhibition in Hong Kong, China, 26 March 2019. The exhibition entitled “Multisensory Exhibition Urban Playgrounds” shows how Austrian artist Willi Dorner uses urban spaces to interpret the relationship between bodies and objects. (Photo by Jerome Favre/EPA/EFE)

Some companies in Taiwan spend months building temples with bricks and cement, but Lin Fu-Chun's firm simply pours concrete into a giant mould and waits for it to dry. The 78-year-old Lin said his temple factory, Chuanso, needed just over six weeks to finish a building that normally took six months with conventional methods – and moulding was 40 percent cheaper. Here: An employee paints a ready-made Chinese traditional temple at the Chuanso factory that manufactures religious objects in Pingtung, Taiwan July 5, 2016. (Photo by Tyrone Siu/Reuters)