“Life in War” (FotoEvidence Press) by Iranian photographer Majid Saeedi is probably the only book about Afghanistan that doesn’t show images of war. For ten years his camera photographed daily life in the context of war. His photographs reveal the humanity of a people living through decades of war. Here: Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)

"I'm an artist, recent graduate, specializing in photo realistic watercolors, painting what the camera can't capture. My work is perceivably on the darker side, but the actually is, it's about exploration.
My anatomical works combine classic poses, in dramatic chiaroscuro lighting, with a very contemporary twist... illustrating what's underneath the skin, and the portrayed figure dissects a region of their body to show the structures that lay beneath."

Take a walk on the wild side around some of the most down right dangerous places in the world - and all without leaving your desk, courtesy of Google Street View. Since 2007, Google's amazing technology has given people the chance to visit the Eiffel Tower, peer out over San Francisco's Golden Gate Bridge or walk along a beach in the Bahamas. But as well as mapping the tourist-friendly hotspots, Google also ventured into places you really wouldn't want to find yourself. Here is a collection of some the most notorious areas captured by the infamous roaming camera cars from around the UK and the world.

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

“I bought my first dlsr camera in 2009 may. The first part of my life is gone but the other i dedicate to photography. If i try to imagine myself, i saw someone on the road, who walking straight to the light. This kind of light is the photography and the post-processing in my life. My pictures express the feelings, moods what i felt under my trip in the last few years”. – Ildiko Neer

Photo: “Path to the shine”, 2011. (Photo by Ildiko Neer)

Californian photographer and conservationist Octavio Aburto had spent years photographing the school in Cabo Pulmo National Park, Mexico – and had been trying to capture this exact shot for three years. “Together with my friend David Castro, we were diving with a large group of Bigeye travellies at Cabo Pulmo National Park, Mexico. Thousands of fish forming a ball during the reproduction courtship. In the afternoon, these fish congregate to form a large spawning aggregation around the reefs of the National Park”. (Photo and caption by Octavio Aburto)

Katie Francis, a member of the Difficult Access Team from Wiss, Janney, Elstner Associates, inspects a gargoyle while rapelling down one of the north tower on the west front of the National Cathedral while looking for damage from August's magnitude 5.8 earthquake and high winds from Hurricane Irene October 17, 2011 in Washington, DC. DAT members used cameras, cell phones and iPad computers to record places on the cathedral's west front where damage was apparent. (Photo by Chip Somodevilla/Getty Images)