When he's driving, New York-based painter Gregory Thielker takes in the views that change from moment to moment: the road, the sky, other cars. “Inside the car it's easy to forget the outside temperature, humidity, the noise of the road”, he says. “But something happens when rain interrupts the view: the lens through which we are seeing is revealed. Water both obscures and highlights the landscape”. Gregory Thielker's exhibition “Between here and now” will be at Castor Gallery in lower Manhattan from early March. Here: “Complete Stop”. (Painting by Gregory Thielker)

Some of the worlds most iconic cities have been photographed as youve never seen them before in the shape of tiny round planets. By using a pioneering method of aerial photography, each location can be now seen at a full 360 degree angle. After some skilful manipulation on Photoshop known technically as stereographic projection, each sweeping panorama is then turned into a small circular shaped image. Whether its the Eiffel Tower, The Empire State Building or the Shanghai Skyline, each image manages to show hundreds of miles of city landscape. Here: the French Riveria of Cannes, France. (Photo by Airpano/Caters News)

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

These stunning light art pictures of skateboarding skeletons were created by Darren Pearson from Los Angeles. He works as a full time illustrator by day and by night he explores the varying landscapes of California in search of the perfect scene for his light-sculptures. Pearson makes complex light-effect photographs, none of which are photoshopped. He describes the work as location-based light art. Photo: A light skateboarder grinding a rail. (Photo by Darren Pearson/Caters News)

Helios is usually a common USA digital photographer that's creating online photographs underneath the identity Helios-spada.They generates a amazing infrared taking pictures series. This particular taking pictures string is done in the range of 750-1400 nm, that is beyond your limitations regarding obvious lighting along with will allow you to see the world that is usually not often seen by simply a persons eye. Throughout infrared taking pictures, landscaping usually are changed into remarkable displays, the place the recognizable vista resemble surreal styles of dreamland. Look into infrared taking pictures of Helios-spada and make your work time Cool.

Trees grow through the windshield of a 1937 Chrysler Imperial as it sits at Old Car City, the world's largest known classic car junkyard Thursday, July 16, 2015, in White, Ga. Over 4,000 classic cars decorate 32 acres of forest which have been turned into a junkyard museum by owner Walter Dean Lewis. The two grew up playing in the cars on the lot which started as a general store selling auto parts in 1931 by Lewis' parents. Lewis stopped selling parts about six years ago when he realized he could sustain the business more as a museum, charging $15 for visitors just looking, and $25 for photographers. Many of the cars have never moved in over 30 years and in some cases, trees now grow through them, even lifting some off the ground. (Photo by David Goldman/AP Photo)

Aurorae category runner-up: Lone Tree under a Scandinavian Aurora by Tom Archer (UK). The photographer decided to explore the area around the hotel on a very crisp -35C evening in Finnish Lapland. When he found this tree, he decided to wait for the misty conditions to change and could not believe his luck when the sky cleared and the aurora came out in the perfect spot. Archer spent about an hour photographing it before his camera started to lock up because of the harsh conditions, but by then he was happy to call it a night. (Photo by Tom Archer/2020 Astronomy Photographer of the Year)