American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

People watch on from Marks Park as a thunderstorm gathers off Bondi Beach on November 13, 2020 in Sydney, Australia. The Bureau of Meteorology issued a number of severe weather alerts for the region today, with a high risk of thunderstorms and hail. (Photo by Brook Mitchell/Getty Images)

The sun sets behind artist Luke Jerram's “Floating Earth” at Pennington Flash on November 22, 2021 in Wigan, England. The floating Earth will hover over Pennington Flash for 10 days from November 19, as part of a celebration of Wigan and Leigh's watercourses and is the first time one of Jerram's globes has been floated on an open expanse of water. (Photo by Christopher Furlong/Getty Images)

Turbines of the new Burbo Bank off shore wind farm lay in the wake of a maintenance boat in the mouth of the River Mersey on May 12, 2008 in Liverpool, England. (Photo by Christopher Furlong/Getty Images)

Iraqis who have fled fighting between security forces and al-Qaida inspired militants in their hometown of Tal Afar arrive in a car at Germawa camp for displaced Iraqis, in a hot dusty plain in the largely-autonomous Kurdish area of Dahuk, 260 miles (430 kilometers) northwest of Baghdad Tuesday, June 17, 2014. (Photo by AP Photo)

Women dance on top of a car as revelers enjoy spring break festivities despite an 8pm curfew imposed by local authorities, amid the coronavirus disease (COVID-19) pandemic, in Miami Beach, Florida, U.S., March 20, 2021. (Photo by Marco Bello/Reuters)