Some lost at sea memorials are touched by genius. The images they convey are timeless and universal – like all great art. The designer and sculptor of this unforgettable memorial in Wales is Brian Fell.

Photo taken on September 19, 2015 shows a baby Brazilian opossum at the “Parque Estoril” zoo in Sao Bernardo do Campo of Sao Paulo, Brazil. According to local press, the “Parque Estoril” zoo houses currently 23 orphan cubs of wild animals rescued in the south region of Sao Paulo, victims of illegal wildlife trade or problems caused by urban growth. According to the zoo, all the animals arrived in the last three months, and many of them, not being able to be reintroduced to their natural habitat, will be used as examples in environmental education classes. (Photo by Rahel Patrasso/Xinhua via ZUMA Wire)

Organizers of an exhibition of ancient instruments of torture in Huai'an, Jiangsu province, have suggested that children, heart disease patients and people with high blood pressure stay away because of the vivid depictions of shocking cruelty. The exhibition has more than 200 instruments of torture on display in the 50,000-square-meter exhibition halls of a restored ancient building. Wax figures, along with sound and light techniques, are incorporated for scary effect. The local government said the exhibition is for tourists and historians to research ancient torture practices. (Photo by ChinaFotoPress)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

A group of tattooed women from the Muun tribe who inhabit the hills of the Arakan state. The design, known as the letter B-pattern, is common in the Mindat area. It is composed of dots, lines and occasionally circles, in February, 2015, in Myanmar, Burma. With spider webs, B-patterns and crossed lines painstakingly inked on their faces these stunning photographs show the tattooed women of Burma. French photographer Eric Lafforgue travelled to the Chin, Rakhine and Arakan states of northwestern Myanmar to capture the rare facial designs. (Photo by Eric Lafforgue/Barcroft Media)

Number 10. BELL H-13 SIOUX was a two-bladed, single engine, light helicopter built by Bell Helicopter. Westland Aircraft manufactured the Sioux under license for the British military as the Sioux AH.1 and HT. In 1947, the United States Air Force ordered the improved Bell Model 47A. Most were designated YR-13 and three winterized versions were designated YR-13A. The United States Army first ordered Bell 47s in 1948 under the designation H-13. These would later receive the name Sioux. The Bell-built H-13 B is seen airborne in this April 29, 1951 photo. The helicopter is equipped with a 173 horsepower engine, cruises at 85 miles per hour, climbs 900 feet in a minute and has a service ceiling of 11,500 feet. (Photo by AP Photo)

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)

The 150-square-metre Villa Ypsilon was designed by London- and Brussels-based firm LASSA, which is headed up by architects Theo Sarantoglou Lalis and Dora Sweijd.