July 23, 2013 – Kampala, Uganda. Helene and Diana train daily more than 2.5 hours by Innocent Kapalata, a passionate and ambitious former boxer. Amidst the shanty homes a group of ambitious fighters are trying to reach for a better life. (Photo by Peter Bauza/ZUMA Press/VISUAL Press)

Colombia midfielder Natalia Gaitan (3) goes up for a header against Mexico midfielder Nayeli Rangel (7) in Moncton, June 9, 2015. (Photo by Matt Kryger/USA TODAY Sports)

An injured demonstrator hugs another as riot police officers prevent them from attending a Pride parade, which was banned by local authorities, in central in Ankara, Turkey on June 29, 2021. (Photo by Cagla Gurdogan/Reuters)

Keen diver Yusuke Fukami fulfilled a personal dream by snapping a cartoon-like Costasiella sea slug while in Bali in the last decade of December 2024. (Photo by Yusuke Fukami/South West News Service)

Erica Daly, a District Nurse Team Leader at Mersey Care NHS, stands in front of the “Liver Bird Wings”, an artwork by Paul Curtis on a wall within Liverpool's Baltic Triangle on April 29, 2020. (Photo by Peter Byrne/PA Images via Getty Images)

A young woman poses for a selfie at Red Square which is under preparations for the Victory Parade during sunset in Moscow, Russia, Monday, April 26, 2021. Russia will celebrate celebrate 76 years of the victory in WWII on May 9, 2021. (Photo by Alexander Zemlianichenko/AP Photo)

It’s time to start watching for Comet PANSTARRS, one of two comets to get excited about in 2013. Photo: This image provided by NASA shoaws the comet PANSTARRS as seen from Mount Dale, Western Australia on March 5, 2013. According to NASA on March 10, it will make its closest approach to the sun about 28 million miles (45 million kilometers) away. As it continues its nightly trek across the sky, the comet may get lost in the sun's glare but should return and be visible to the naked eye by March 12. (Photo by AP Photo/NASA)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)