New Jersey based artist, Joe Iurato creates art using hand-cut paper and spray paint to make small wood cutout figures and placed in public spaces. According to Iurato, “a puddle can become a lake, a small crack in a cement wall can become a magnificent climb, a planter box can become a place for a child to play, and a shadow might be a tangible space for a few seconds a day”. Photo: “Small World”. (Photo by Joe Lurato)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

"I'm an artist, recent graduate, specializing in photo realistic watercolors, painting what the camera can't capture. My work is perceivably on the darker side, but the actually is, it's about exploration.
My anatomical works combine classic poses, in dramatic chiaroscuro lighting, with a very contemporary twist... illustrating what's underneath the skin, and the portrayed figure dissects a region of their body to show the structures that lay beneath."

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Vitali Klitschko of Ukraine poses in front of Odlanier Solis of Cuba during the weigh in at Sport Karstadt on March 18, 2011 in Cologne, Germany. The WBC World Championship Heavyweight fight between Vitali Klitschko of Ukraine and Odlanier Solis of Cuba will be held on 19 March 2011.

Elena Reid of USA looks on with bloody face due to a cut during the Women's WIBF Flyweight Championship fight between Regina Halmich and Elena Reid at the Boerderlandhalle on December 3, 2005 in Magdeburg, Germany. (Photo by Christian Fischer/Getty Images)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)