The attendants of the Sumptha Raja, Agra Durbar. (Photo by Hulton Archive/Getty Images). 1873

Italian artist Maurizio Cattelan poses with his creation “Him” (2001) prior to the opening of the exhibition “Not Afraid of Love” at the Hotel de la Monnaie in Paris, France, October 17, 2016. From October 21, 2016 to January 8, 2017, “Not Afraid of Love”, curated by Chiara Parisi, director of Cultural Programs, sets Maurizio Cattelan’s “comeback at work” in one of the most beautiful Palaces on the river Seine. (Photo by Philippe Wojazer/Reuters)

A black bull sarcophagus stands at Puri Ubud during the Hindu Royal cremation – also know as the Pengabenan – for the late Anak Agung Niang Rai, mother of Gianyar Regent, Tjokorda Oka Artha Ardana Sukawati, at Puri Ubud in Gianyar Bali on August 17, 2011 in Ubud, Bali, Indonesia. Niang Rai died in a Denpasar hospital in May; her actual cremation will take place on August 18 and will involve a nine level, 24m high 'bade' or body carring tower, made by upto 100 volunteers from 14 local villages. It will be carried to the cremation by 4500 Ubud residents. (Photo by Ulet Ifansasti/Getty Images)

A woman poses next to two mailboxes along a street in Taipei on August 11, 2015 that were reportedly bent by strong winds brought by Typhoon Soudelor over the weekend. The two iron mailboxes have become an unlikely attraction, drawing thousands of snap-happy visitors and have even become a backdrop to a wedding photo shoot. The typhoon, which hit in the early hours of August 8 and was billed as the most powerful typhoon this year, uprooted trees, brought down electricity poles, knocking out power to a record 4.3 million households, while leaving eight dead and four missing. (Photo by Benjamin Yeh/AFP Photo)

Flowers are placed on a “comfort woman” statue during the weekly Wednesday protest in front of Japanese embassy demanding for an apology and compensation from Japanese government in Seoul, South Korea, July 22, 2015. “Comfort women” is the Japanese euphemism for women who were forced into prostitution and sexually abused at Japanese military brothels before and during World War Two. (Photo by Kim Kyung-Hoon/Reuters)

A woman visits oil on canvas paintings by Ayesha Sultana of the Experimenter gallery in 14th edition of Art Dubai at Dubai International Financial Centre, DIFC, which features 50 galleries from 31 countries with a focus on modern and contemporary art, in Dubai, United Arab Emirates, Tuesday, March 30, 2021. (Photo by Kamran Jebreili/AP Photo)