An Orthodox believer kisses an icon during a pilgrimage celebrating the icon of St. Nicholas in the village of Velikoretskoye in Kirov Region, Russia on June 6, 2021. At least 17 thousand pilgrims, loaded with backpacks and some of them barefoot, took part in a five-day and 150-kilometer-long journey from Kirov to the village of Velikoretskoye, according to the local media. (Photo by Alexey Malgavko/Reuters)

A surfer rides a wave at the snowy beach of Unstad, in Lofoten Island, Arctic Circle, on March 9, 2016. Surfers from all over the world comes to Lofoten island to surf in extrem conditions. Ocean temperature is 6-7 °C, air temperature around 0°C in spite of a weather very unstable. (Photo by Olivier Morin/AFP Photo)

Dinosaur mockups are installed in Danghangpo, Goseong, some 466km southeast of Seoul, South Korea, 06 September 2021, 25 days ahead of the Gyeongnam Goseong Dinosaur World Expo 2021 set for 01 October until 07 November. Goseong is one of the world's three largest fossilized dinosaur footprint sites, along with Colorado in the United States and the west coast of Argentina. (Photo by Yonhap/EPA/EFE)

Ultra-Orthodox Jews dance next to a bonfire during celebrations for the Jewish holiday of Lag Ba-Omer in Jerusalem's Mea Shearim neighbourhood May 25, 2016. This day marks the hillula (celebration, interpreted by some as anniversary of death) of Rabbi Shimon bar Yochai, a Mishnaic sage and leading disciple of Rabbi Akiva in the 2nd century, and the day on which he revealed the deepest secrets of kabbalah in the form of the Zohar (Book of Splendor), a landmark text of Jewish mysticism. (Photo by Ronen Zvulun/Reuters)

Richard Silver's photographs show us the world's biggest sights like Machu Picchu in Peru or Copacabana in Brazil. His photos, however, are not simply depictions of the landmarks but planned, artistic visual constructions that, with their playful combinations of sharpness and blur, create new worlds of experience. Photo: Coliseum, Rome. (Photo by Richard Silver)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)