Frogs playing dominos at the Frog Museum, a collection of 108 stuffed frogs in scenes portraying everyday life in the 19th-century and made by Francois Perrier, in Estavayer-le-Lac, Switzerland on November 7, 2018. (Photo by Denis Balibouse/Reuters)

A woman injured during the 7.2 magnitude earthquake lies on a stretcher in Les Cayes, Haiti on August 14, 2021. (Photo by Ralph Tedy/Reuters)

Sandra, a 29-year-old orangutan at Buenos Aires' zoo, on May 20, 2015. Sandra got cleared to leave a Buenos Aires zoo that was her home for 20 years, after a court ruled she was entitled to more desirable living conditions. (Photo by Juan Mabromata/AFP Photo)

Men push a motorbike through a street flooded by a river that overflowed from heavy rains caused by Hurricane Matthew in Leogane, Haiti, Wednesday, October 5, 2016. Rescue workers in Haiti struggled to reach cutoff towns and learn the full extent of the death and destruction caused by Hurricane Matthew as the storm began battering the Bahamas on Wednesday and triggered large-scale evacuations along the U.S. East Coast. (Photo by Dieu Nalio Chery/AP Photo)

Dynam employees say a greeting message as they receive customer-care training ahead of the grand opening of the company's pachinko parlour in Fukaya, north of Tokyo July 29, 2014. Japan's once-booming pachinko industry, grappling with a greying customer base and the threat of new competition from casinos, is adopting a softer touch and smoke-free zones to lure a new generation of players, particularly women. Pachinko, a modified version of pinball, is a fading national obsession, with about 12,000 parlours nation-wide and one in thirteen people playing the game. But that figure is declining as the population shrinks and younger people prefer games on their mobile phones. (Photo by Issei Kato/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

A woman looks towards part of an artwork called “Lichen! Libido! (London!) Chastity!” by Anthea Hamilton, one of the four artists shortlisted for the Turner Prize 2016, as it is displayed at the Tate Britain gallery in London, Monday, September 26, 2016. The Turner Prize aims to promote public debate around new developments in contemporary British art. (Photo by Kirsty Wigglesworth/AP Photo)

An Israeli woman scrambles through the mud and under barbed wire at the competition of the Legion Run in the Menara Cliffs area of Kiryat Shmona, in northern Israel, near the Lebanon border 14 October 2016. Hundreds of participants ran five kilometers cross country in steep terrain and then navigated various obstacle courses including steep inclines and mud holes. It is the first time this non-competitive but supportive sporting event is held in Israel. (Photo by Jim Hollander/EPA)