American soldiers leaping from an armoured personnel carrier during exercises in Korea, 17th March 1954. (Photo by Three Lions)

The head of a 276-kilogram bluefin tuna that was auctioned for 207 million Japanese yen (about 1.3 million U.S. dollars), which was bought jointly by sushi restaurant operator Onodera Group and wholesaler Yamayuki, is carried by a sushi chef at an Onodera sushi restaurant after the first tuna auction of the New Year in Tokyo, Japan on January 5, 2025. (Photo by Issei Kato/Reuters)

Participants during the Whitby Krampus Run street parade in Whitby, Yorkshire on Saturday, December 3, 2022, which celebrates the Krampus, a horned creature which accompanies Saint Nicholas on his rounds. (Photo by Danny Lawson/PA Images/Profimedia)

A woman wearing a protective mask walks through a platform of a train station during the afternoon rush hours as the Omicron variant continues to spread, amid the coronavirus disease (COVID-19) pandemic, in Jakarta, Indonesia, January 3, 2022. (Photo by Willy Kurniawan/Reuters)

A star-spangled spectator takes in a perfect Sunday afternoon, November 3, 2024 for stock-car racing. About 50,000 fans turned up for Sunday afternoon’s Xfinity 500 at Martinsville Speedway in Ridgeway, Virginia. (Photo by Lauren Caulk/The Guardian)

British prime minister Winston Churchill (1874–1965) stops to pet a cat at Liverpool Street Station, 24th May 1952. (Photo by Keystone/Hulton Archive/Getty Images)

Undated handout photo issued by Guinness World Records of Fabio Reggiani from Italy who has made it into the Guinness Book of World Records for constructing the worlds largest rideable motorcycle measuring 5.10 meters (16ft 8.78 in) from the ground to the top of the handlebars. Six times larger than a normal motorcycle, it's 10.03 m long, 2.5 m wide, and weighs approximately 5,000 kg (5 tonnes). (Photo by Guinness World Records/PA Wire)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)